I often feel like the Gill- Man from Creature from the Black Lagoon got the shaft. Other than a pair of sequels in 1955 (Revenge of the Creature) and 1956 (The Creature Walks Among Us), the scaly monster from the deep has not been featured in any other films, other than The Monster Squad and Hotel Transylvania, since his initial unveiling.
Perhaps a television show called The Creature Diaries didn’t have quite the same ring as the CW’s sudser about another creature of the night? I’m guessing The Gurgling wouldn’t have appeared as menacing atop a poster hanging in the lobby of the local cineplex as another more lupine film from Joe Dante in 1981 did. Certainly, had Kevin Bacon wanted to team with Paul Verhoeven to give us The Hollow Thing from Deep Down in a Cove Somewhere in The Amazon, the marketing people would have shot it down in favor of their other 2000 film nobody saw (get it?!).
Today’s film, however, features a classic monster that hasn’t suffered the same fate as his green gilled partner in slime.
31 Days of Films and Frights – Day 16: The Mummy
Director: Terence Fisher
Cast: Peter Cushing, Christopher Lee, Yvonne Furneaux
Country: United Kingdom
Specs: 88 mins. / Color / OAR 1.85.1 / MPAA Rating:
Rating: ★★★★★ / A
After being woken from years of hibernation within his tomb, mummified Egyptian high priest Karnak seeks out those responsible for his awakening, when they disturb the tomb of his lover and Princess, Ananka, to avenge their desecration.
The opening music is amazing, deep and resonating as the opening credits unfold. Composer Franz Reizenstein helped create an atmosphere of wonder, accompanied by the wonderful sets and wardrobe expected in a Hammer film.
I always appreciated when the classic monster films were period pieces, allowing for a more immersive tale of fantasy and intrigue. This film does not deter, nor does it disappoint.
There were some directorial decisions that I found jarring, such as the numerous fades to the next scene as someone is speaking, and wondered if I were missing some excised scene, or if my stream had hiccuped. Overall, however, the calibre of the story, acting, and scenery overcame any misgivings I may have had.
The action and the suspense are simply top-notch. Special-effects are also superb, bearing in mind the time in which they were made. Many elements of these Hammer films, in part due to its being set in the past, no doubt, are timeless, and hold up against any modern film in the same genre, often surpassing it in originality.
I recommend this film to any fan of the classic Universal monster films. I suggest this film to any fan of the other entries in Hammers stable of features. Lastly, I urge any fan of the more recent outings from Universal and Stephen Sommers to view this film immediately, lest the curse of Ananka fall on you.
By the way, for those keeping score, the films/tv shows mentioned in the exordium were The Vampire Diaries, The Howling, and The Hollow Man, natch.