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31 Days of Films and Frights – Day 29: Kuroneko

31 Days of Films and Frights – Day 29: Kuroneko

I dislike cats.  I’m aware that many filmmakers have the same lack of appreciation for the beasts with 9 lives. Cat’s Eye, Pet Sematary, The Black Cat, The Cat People, even A Nightmare on Elm Street 2 all feature these ferocious felines.

It was with much trepidation (not really) that I sat to watch today’s film.  I knew that I would likely have an experience of shock simply from the subject matter alone.  I braved my fears, however, and happily accessed my Hulu+ account to view this classic of Japanese horror.

31 Days of Films and Frights – Day 29: Yabu No Naka No Kuroneko “Kuroneko”

Kuroneko posterDirector: Kaneto Shindou
Year: 1968
Cast: Kichiemon Nakamura, Nobuko Otowa, Kei Satou
Language: Japanese
Country: Japan
Specs: 99 mins. / Black and White / OAR 2.35:1 / MPAA Rating: NR
Rating: ★★★ / C

After being brutally raped and murdered by a gang of wandering samurai, a woman and her daughter return from the grave to haunt and kill them.

What odd choices of filmmaking, such as random jump cuts, unmotivated images of a black cat, disjointed jumping of the plane, cuts of ghosts and fallen samurai bodies out of nowhere, and the continual bamboo forest immersed in a dense fog imagery.

Some of the visuals were haunting, however.  The women with their painted on eyebrows, floating in their white kimono, amidst the secluded cabin in the woods, certainly ought to be enough to hold the interest of many aficionado’s of horror.  Sadly, I found the aforementioned problems too problematic to be saved by the later interesting elements.

It simply didn’t rise above anything other than average.  Certainly not after watching the superior Onibaba.  Thankfully, however, it’s not as bewildering as House.

 
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Posted by on October 30, 2013 in Movies

 

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31 Days of Films and Frights – Day 28: Onibaba

31 Days of Films and Frights – Day 28: Onibaba

I’ve long been a fan of Japanese cinema. Akira Kurosawa, Kenji Mizoguchi, Kon Ichikawa, and my favorite, Yasujiro Ozu, are masters of cinema few western audiences have seen. Amazingly, other than the run of horror movies that came from the land of the rising sun a few years back, such as Ringu and Ju On, I wasn’t familiar with any other in that genre.

Thankfully, a recent trip to the video store, and my viewing of their Criterion collection they have near the back of the store, I came across a few films considered to be classics in the J-horror genre.

With this new knowledge, I followed up my visit by searching both Hulu and Netflix for other films originating from the land famous for samurai, geisha, and ninja.

Happily, today’s film was one of the films featured on Hulu+ Criterion Collection. Without hesitation, I pressed play on my tiny appleTV remote, and took in the surprise that was today’s entry.

31 Days of Films and Frights – Day 28: Onibaba


Director: Kaneto Shindou
Year: 1965
Cast: Nobuko Otowa, Jitsuko Yoshimura, Kei Satou
Language: Japanese
Country: Japan
Specs: 103 mins. / Black and White / OAR 2.35:1 / MPAA Rating: NR
Rating: ★★★★★ / A

I wasn’t sure how this film was considered a horror film for most of the film. I felt more like a revenge picture, and an excellently crafted one at that. However, [SPOILER]…

I was completely blown away by the twist near the end of the film that confirmed this to indeed be a horror film. The mastery that Shindou displayed on bringing together this morality tale was superb, and worthy of all the praise I’ve since read up on for this film.

It was shocking to see such graphic sensuality, given the year the film was made. Certainly not a film I’d be able to show in my film appreciation class without a major disclaimer.


The cinematography is simply amazing. The waves in the grass, the use of shadows, and the framing of each scene is a marvel to see. The acting is equally as impressive. This is not your over-the-top theatrics found in many other films of that same era. Instead we are witness to the depravity of war, and the loneliness of seclusion, in a manner that is completely engrossing.

I will never feel the same way when I am faced with the choice of the shortcut through the grassy field or the long dirt path around it. I certainly will be needing a proper foot cleansing after such a proposition presents itself.

 
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Posted by on October 28, 2013 in Movies

 

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31 Days of Films and Frights – Day 22: Dark Night of the Scarecrow

31 Days of Films and Frights – Day 22: Dark Night of the Scarecrow

The made-for-tv film was a category that used to be populated by dozens of productions per year.  Sunday nights spent in front of the tv with our paper Chatham’s bag filled with freshly popped butter-salt popcorn at the ready was a weekly ritual in the house of this film fan.  It’s a genre of film I miss, and wish would make a concerted return to the air beyond the offerings of the spurned wife tales found on Lifetime channel.

Today’s film came to me as a surprise.  I’d never heard of the film, and wasn’t sure how enjoyable a horror film that originally made it’s premiere on CBS over 30 years ago would be.  While I have fond memories of The Night Strangler or The Burning Bed, neither of those films were as much horror as they were suspense.  In fact, I couldn’t recall having seen any horror films on TV that were originally created for that medium.

Thankfully, a friend of mine pointed me in the direction of the featured tale I bring to you today.

31 Days of Films and Frights – Day 22: Dark Night of the Scarecrow

Scarecrow VHSDirector: Frank De Felitta
Year: 1981
Cast: Larry Drake, Charles Durning, Tonya Crowe, Jocelyn Brando, Lane Smith
Language: English
Country: USA
Specs: 96 mins. / Color / OAR 1.33.1 / MPAA Rating: Not Rated
Rating: ★★★★ / B

After a retarded man, dressed as a scarecrow in an attempt to escape a crazed lynch mob intent on unjustly murdering him for a crime he didn’t commit, is found and slain, the members of the mob are hunted and killed by someone resembling same said scarecrow.

I enjoyed this suspenseful thriller from the moment the title cards began.  Call is nostalgia for a bygone era, or call it appreciation for talented character actors at their best, this film is surprisingly terse and tense for a film appearing on network television over 30 years ago.

From the opening scene of Drake’s (Darkman, Dr. Giggles) Bubba befriending the young girl in a scene reminiscent of Frankenstein, to the closing shots of the ghostly scarecrow ominously hanging in the corn field, the acting never truly dips into hamminess, despite its portrayal of country bumpkins and oversized simpletons.  In fact, I was surprised to see such familiar faces peppered throughout this feature.

The editing is also notable, successfully amping up the suspense in a way more attributable to a theatrical pic than a made-for-tv production.  The camera work also is commendable.  And while the story nor elements of the plot without flaws (it never is explained nor understood why a little girls parents would allow her to roam deserted fields with a mentally retarded adult), it does call forth memories of the elements commonly found in a classic episode of The Twilight Zone.Dark Night of the Scarecrow

I heartily recommend any fan of revenge pics, ghost stories, or classic made-for-television horror films to track down and give this haunted tale a viewing.  You’ll

 
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Posted by on October 22, 2013 in Movies

 

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