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31 Days of Films and Frights – Day 8: Byzantium

31 Days of Films and Frights – Day 8: Byzantium

Vampires. They have been the subject of numerous films throughout the decades. They have appeared, according to ranker.com, in over 197 films. To begin to entertain the idea of producing a new edition that will resonate with audiences surely must be a daunting task. To be able to offer something new that isn’t formulaic nor a simple rehash takes talent beyond measure.

I’ve stated before, (and based on the number of films, television programs, novels, and video games that continuously get released, it’s apparent I’m not alone), that I enjoy these celluloid exhibitions featuring the notorious creatures of the night. I recently heard about today’s film whilst reading an issue of Empire magazine. They stated that the film was a four star affair. I instantly knew that I had to view this film. I originally had a sequel to a rather storied franchise queued up and ready to go, bucket of freshly made stove-top popcorn at the ready, wife and children tucked away snuggly in their beds. Instead, I did a switcheroo and opted instead for this nocturnal tale.

31 Days of Frights and Films – Day 8: Byzantium


Director: Neil Jordan
Year: 2112
Cast: Saoirse Ronan, Gemma Arterton, Sam Riley
Language: English
Country: United Kingdom
Specs: 118 mins. / Color / OAR 2.35.1 / MPAA Rating: R
Rating: ★★★★★ / A

A pair of mysterious women descend upon a small unsuspecting town, hiding from a mysterious organization that is attempting to locate them. Unfortunately for the inhabitants of the town, they bring death with them, leaving a trail of bodies in their wake.

Not since Ludwig Von Drake recorded The Spectrum Song has there been an occasion where I was instantly immersed in a world of vivid color. The use of hues by cinematographer Sean Bobbitt was amazing, and made me all the more grateful I chose to view this on a 52″ HDTV as opposed to an iPad on my train ride into work. I was instantly taken in by the mesmerizing score that opens the film. Whereas other films I’ve written about feature over-the-top musical scores that overpower the senses, Jordan opts for a more subtle, yet beautifully melancholic soundtrack, only elevated by the haunting cinematography that unfolds from the start. The film continues to play slowly, thanks to the superb editing from Tony Lawson (Michael Collins, End of the Affair, Straw Dogs), allowing each scene to breath, even during the few gruesome images that are peppered throughout. During an upsetting decapitation, instead of cutting to the beats of the latest techno mix, we are allowed to take in the atmosphere of the locale, which only serves to up the emotional impact.


I thoroughly appreciated Jordan’s ability to effectively utilize imagery in a way that most viewers will remember elements and/or scenes to the film that never actually appeared. A film about a stripper who is also a prostitute, the men she has slept with, numerous occasions of unlawful entry, and we never are witness to any of the acts nor images of humans in their “au natural” state. Pure genius. Proof positive that the imagination is much more powerful of a tool than any canvas can ever paint.

Saoirse Ronan shines in her role as the tortured soul to Gemma Arterton’s femme fatale. Her eyes are stunningly mesmerizing, and hold the viewer every single time she looks into the lens, harking back to the famous Steve McCurry photograph that graced a National Geographic cover. The rest of the cast, who are equally as impressive in their own right, also bring life to their characters in a way that never hints at mediocrity. Jordan truly displays his gift of finding such a stellar cast.


If you enjoy atmospheric films that are light on the action and heavy on the illustrative character studies, I strongly recommend this film. I’m positive you will be thrilled.

 
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Posted by on October 8, 2013 in Movies

 

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31 Days of Films and Frights – Day 7: The Possession

31 Days of Films and Frights – Day 7: The Possession

I try to reserve judgement until after I’ve seen a film in it’s entirety. I owe that much to the filmmakers who’ve spend a large portion of their year (or more if you are making Cleopatra) attempting to put together something worth my hard earned ducat. However, after watching today’s film, I find that practice more arduous to do.

Ghost_House_Pictures_logo_2

Not having had any prior knowledge of today’s film preceding my viewing, I was surprised to see the logo that opens the film. As soon as I saw Ghost House Pictures insignia, I had reservations. Afterall, I found the last two films I’ve viewed from Sam Raimi’s company (Drag Me to Hell and 30 Days of Night) to be less than stellar. I also didn’t find their foray into television programing (Legend of the Seeker) anything noteworthy, although I did stick it out for the entirety of its two campy seasons. I’m not sure what it is. Perhaps the films are rather futile for horror films, feeling more like a big budget action flick than a atmospheric horror film? Perhaps it’s the over the top sound effects, the clean and sterile lighting, the same cookie cutter characters in each film, or the fast paced jarred editing? Either way, today’s film fell squarely into the fold of their previous efforts.

31 Days of Films and Frights – Day 7: The Possession

possession_ver2_xlg

Director: Ole Bordedal
Year: 2012
Cast: Natasha Calis, Jeffrey Dean Morgan, Kyra Sedgwick
Country: United States
Specs: 92 mins. / Color / OAR 2.35.1 / MPAA Rating: PG-13
Rating: ★★★ / C

A young girl, after finding an antique wooden box containing mysterious symbols carved into it, begins to suffer abnormal behaviors, much to the consternation of her recently divorced parents. It soon becomes apparant she is possessed by an entity not of earthly origins, and the race against the clock to rid their prepubescent daughter of the demonic spirit begins.

From the very first scene, I knew I was in for more of the same. An old woman stands in front of a box, demonic voices coming from within, when suddenly, timed to the frantic editing, she becomes possessed and begins to contort and fling across the room.

We then are introduced to the characters that we soon care nothing about. They take actions that don’t make sense. For instance: Why does the girl get startled by the old woman who is the neighbor? Why does she slowly follow her and peer into the window. Who is the bandaged freak who screams at her? Why is the girl allowed to stop off and pick up the box? Why does she want it? Why does an entire room of supposed God fearing Jews feign fear at the mere sight of the box? Or are they truly afraid? Are they all really faithless? Too many odd questions.

Frustratingly, in addition, there are scene after scene of odd edit decisions. There are numerous instances in which the tiniest semblance of suspense is building, the camera is dollying, the tension is at a high, and it cuts to black mid-beat, mid sound cue, sounding like a piece of the soundtrack is missing, rather than a meticulously timed trim. Not sure what effect they were going for, but I found it jarring and annoying.

I also found vexing plot devices that simply come across as slipshod or indolent, although I know that certainly wasn’t the case. However, I’m not sure how else to react when situations such as “Little Girl is vegan, and is ravenously tearing into a raw steak, therefore she MUST be possessed” are a major plot point. Why else was that silly conversation that opens the film there? Am I instead supposed to see it as a message? Either way, it strikes me as stodgy and amateurish.

possession-steak-movie

Maybe it was the title that doomed this film? A quick search of other films with the same title show that film critics such as Leonard Maltin are rather dismissive of them, as well (1981-★½, 2002-★★, 2010-★½). However, to avoid sounding uncouth, I will admit that it did deliver on some scares. Nonetheless, whereas the frights found in a film like The Exorcist certainly command repeat viewings (if one so dares), this film is too marred by the aforementioned issues to warrant any kind of further thought. It was simply an average film. C rating.

 
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Posted by on October 7, 2013 in Movies

 

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31 Days of Films and Frights – Day 6: A Nightmare on Elm Street 2 – Freddy’s Revenge

31 Days of Films and Frights – Day 6: A Nightmare on Elm Street 2 – Freddy’s Revenge

More Freddy is coming your way, in this second installment of the Nightmare on Elm Street films (originals, of course).  How did he survive the last film?  What will he do to Nancy now that he is back?  How will the people who survived his brutality from the first film react to his return?  Surely, the filmmakers knew that viewers to this sequel would be chomping at the bits to have such answers addressed.

Thankfully, I had time to view all the films in their entirety not too far back, and now, as part of this series on films to be “enjoyed” during this Halloween season, I give to you:

31 Days of Films and Frights – Day 6: A Nightmare on Elm Street 2 – Freddy’s Revenge

nightmare_on_elm_street_twoDirector: Jack Sholder
Year: 1985
Cast: Robert Englund, Mark Patton, Kim Myers
Country: United States
Specs: 87 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★ / D

Returning serial killer Freddy Krueger begins to haunt the dreams of a young man, in an attempt to take control of his body, thus enabling Krueger to reenter the realm of reality, where he can continue his bloody murderous spree.

Not sure what they were thinking? This sequel entirely ignores the “rules” set up for us in the previous pic, and turns more into a confusing, plotless, haunted house flick.

In the original film that started the franchise off, Freddy wore a glove with knives on it. Here, while the glove does appear in scenes, the knives on are now coming directly out of his fingers, more akin to Wolverine, or Marvel comics fame. Also, there is zero instance of Freddy affecting the lives of the children of those who “killed” him through their dreams. Instead, he is able to enter the real world, possess people to the point of their transformation into him, and “haunt” the house of the original films heroine, Nancy.

The above would be forgivable were it cleverly written, or performed by actors with any life in their performances (sans Englund, natch). Sadly, neither of these aforementioned necessities are featured here. There is corny acting, inane decisions by characters, and little sense to be made in this silly entry in the series.

Just to point out a few of the problems, Jessy, after having killed (as Freddy) his best friend, runs to his girlfriend Lisa’s house for help. He stands there covered in blood, and she reacts as though nothing were wrong.

When Jessy transforms into Freddy in front of Lisa, and then disappears in a puff of fire and smoke, she decides to drive to the abandoned factory to find him (of course, there is NOTHING story-wise to explain why she would do this).

Not sure why they chose to go this route, but the only nightmares it gave me were the knowledge that I cannot get those precious 87 minutes back. Argh.

 
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Posted by on October 7, 2013 in Movies

 

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31 Days of Films and Frights – Day 5: A Nightmare on Elm Street

31 Days of Films and Frights – Day 5:  A Nightmare on Elm Street

For these weekend posts during this marathon of horror films, I’ve decided to simply post brief reviews from my files of the Nightmare on Elm Street films. These reviews will likely be shorter than my daily posts, and may even be a bit more unrefined, but they fill the list out on those days when most people, myself included, are doing something other than spending time on the world-wide webs.

After all, this is a great time of year to do more than stay inside watching films. Cider mills, pick up games of touch football, and hay rides at the haunted fairgrounds all are worthy excursions to be had! Enjoy.

31 Days of Films and Frights – Day 5: A Nightmare on Elm Street

nightmare_on_elm_streetDirector: Wes Craven
Year: 1984
Cast: Heather Langenkamp, Johnny Depp, Robert Englund
Country: United States
Specs: 91 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★★★ / B

Nancy and her teenage friends are being tormented by a serial killer in their dreams, who happens to possess the power to make events that happen in their dream state a reality.  She must race against the clock to figure a way to defeat this menacing figure, before he successfully slays each one of them, one by one.

The original that started it all. I wasn’t sure what to expect with this film, not having seen it for a number of years.

The story itself is a very clever one. If you die in your sleep, you really die. The reason being, there is a killer in there! Now, there are many plot holes, silly exposition, goofy special effects (the tongue coming out of the phone), and rather bad acting (the drunkard mother). However, the film still does a good job of avoiding the norms for films of this type. There isn’t any real nudity, there isn’t any real drug use, and there IS a plot. I especially appreciated how Craven acknowledges that evil can be overcome if we have faith.

Of course, that makes the ending all the more confusing. But I’ll save that for another day.

 
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Posted by on October 7, 2013 in Movies

 

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31 Days of Films and Frights – Day 4: 30 Days of Night

31 Days of Films and Frights – Day 4:  30 Days of Night

We’ve recently seen coming from the dream factory a number of films that have their basis on a comic book or other form of graphic media. We’ve had movies about superheroes, movies about hit men, even movies about alien invasions. Of course, the current, and possibly hottest property that has found its way from the funny pages to the live action front is Robert Kirkman’s The Walking Dead, which has been nominated for a Golden Globe and the recipient of an Emmy, to name a few of the accolades it has garnered.

I had heard about today’s film many years ago, when I saw the giant billboard featuring its blood-red background towering over the local In-N-Out burger on Sunset Boulevard. At the time I had counted it off as an advert for a 30 day film festival of horror films (not all that uncommon in Tinseltown). I would only later learn that I was grossly mistaken, and that it was a feature film about the most nocturnal of nemesis’, vampires.

I’ve long been a fan of vampire films. I count among my favorite vampiric entries The Lost Boys, Dracula ( the one with Bella Lugosi, not the one with Keanu Reeves, natch). I’ve enjoyed games based around the vampire mythos, such as Castlevania, and Bloodrayne, spending hard earned cash to obtain an out-of-print entry for a system I had not yet owned. I’ve equally enjoyed an old yarn fashioned around the bloodsucking mythological creatures of yore, as in The Vampire Chronicles by Anne Rice, The Vampire Archives by Otto Penzler, Bram Stoker’s masterpiece, and Salems’ Lot, from the master of macabre, Stephen King. Not to be left out, I also have enjoyed reading comic books set in the world of these creatures of the night. Having met Marv Wolfman, the author and creator of one of my favorite vampire series of all time, Tomb of Dracula, has been a highlight of my career in entertainment.

Thankfully, in my recent search for new and interesting comics to fill my iPad’s memory, I came across a series on Comixology from writer Steve Niles and artist Ben Templesmith that I later found to be the basis for today’s film. So it was no surprise when I noticed the film that I chose for today’s entry on the local video mart DVD rack.

With that, I give you:

31 Days of Films and Frights – Day 4: 30 Days of Night

Director: David Slade
Year: 2007
Cast: Josh Hartnett, Melissa George, Danny Huston, Ben Foster
Language: English
Country: United States
Specs: 109 mins. / Color / OAR 2.35.1 / MPAA Rating: R
Rating: ★★★ / C+

A group of bloodthirsty vampires descend upon a small Alaskan town during the time of year when the town has 30 days without a moment of daylight.

I enjoy films that take a format that is perhaps bordering on tiresome, or lack of originality and bring something new. Even when it’s a reboot of a familiar film, or franchise, if it contains a little editing here and there to enhance what was already a proven formula, I welcome it with open arms. Sadly, in this case, I can’t say the same.

I didn’t find the film abysmal, nor boring, by any means. But neither did I find it to be a masterpiece, a film that belongs on every DVD shelf. It simply was a vapid entry in a genre that is a bit long in the tooth.

That’s not to say the acting wasn’t stellar. In fact, because of Hartnett, George (Amityville Horror), Huston (Children of Men, 21 Grams), and Foster (3:10 to Yuma), the film was much better than it would have been had it contained a less commanding cast. The setting also was very enjoyable, lending to a believability to the locale of Barrow, Alaska (in that it was actually shot in New Zealand).


Sadly, it simply plays like a by-the-numbers action movie, set in the world of horror. The film is far from scary, spooky, suspenseful, or horrifying in any way. That is, unless you find gruesome bloodletting horrifying, which I do at times. Predictability is another aspect that haunts this film. The scene that involves a little girl with her back turned to us would only surprise the most inane banal mind viewing it. The reveal was so foreseeable, I used the interval between it and her appearance as the timer for my tea bag to stew in my freshly brewed pot.

I did find little interesting touches, such as the creation of a new dialect for the vampires, to be intriguing and original. I’m sure there are some linguistic lovers that likely learning another language based on the lexicon found here.


The films grammar simply felt platitudinous, at best, and I’m saying that as a fan of the original material. It just feels like something a film student might learn in action screenwriting 101, with more blood added for good measure.

All in all I’m saying it was an average film. You never know, I may come back and boost that rating up once I finish the rest of this series. I know I’ve got some stinkers just ahead.

 
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Posted by on October 5, 2013 in Movies

 

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31 Days of Films and Frights – Day 3: Frankenstein Created Woman

31 Days of Films and Frights – Day 3: Frankenstein Created Woman

I fondly remember Saturday afternoons, seated on the floor of my bedroom in front of my 15″ black and white RCA television, the click of the dial filling the air as I prepared to watch the weekly television program, Creature Features. Often, I’d take in a Godzilla film, a masterpiece written by Richard Matheson, a mesmerizing horror anthology featuring Vincent Price, or a bloody spectacle from a studio located across the pond, Hammer Film Productions (or as I erroneously knew it, Hammer Studios).

I love the old Universal Monster films. When I think of Dracula, the hypnotic image of Bela Lugosi, outstretched hand commanding devotion, instantly comes to mind. When I think of The Wolf Man, I’d be stretching the truth if I didn’t say Lon Chaney, Jr. was the only person I imagine in that titular role. The same can be said for Boris Karloff in regards to The Mummy and Frankenstein. When I think of Hammer Films and their catalogue of monster movies, there is none other than Christopher Lee and Peter Cushing.

As I prepared my list of films to watch for this month long series, I knew that I had to include a film or two from the massive back catalogue I had missed as a youth. For my first film, I chose a candidate I knew would likely be absent from many casual horror movie viewers queue (having spent the past decade as a film professor proved this to be true).

31 Days of Frights and Films – Day 3: Frankenstein Created Woman


Director: Terence Fisher
Year: 1967
Cast: Peter Cushing, Susan Denberg, Thorly Walters
Language: English
Country: United Kingdom
Specs: 86mins. / Color / OAR 1.66.1 / MPAA Rating: N/A
Rating: ★★ / D

Dr. Frankenstein, having learned how to capture the soul of a recently deceased person, experiments transferring said soul into the body of another individual suffering from an untimely fate. Unfortunately, the woman whom he revives in said manner turns into a mindless killing machine, recking havoc on all in her path.

This film, while I appreciate the effort of the filmmakers to divert from the formula that made up the previous films in this series, is a film I likely will never visit again.

Sadly, the film lacks any suspense, thrills, creatures, or supernatural elements, all elements even the youngest of horror film neophytes would expect. Instead, the filmmakers rely solely on the premise of a persons brain being surgically implanted into another’s body. Were the acting not dialed in by Cushing, or were there anything resembling acting from the supporting cast, perhaps it could have been more enjoyable. Even Cushing, for reasons unknown to me, sounds dubbed over.


The film also lacks any F/X, which was another baffling instance, beings that this is a feature from a studio famous for it’s abundance of blood, guts, and other macabre imagery. With the exception of a decapitated head making an appearance at the end of the film, the lack of any lurid effects implies it were made on the cheap by an amateur without a budget.

True to a Hammer Films production, it thankfully does feature excellent costuming and sets, but even then they are barren, compared to what we’ve beheld before.


Disappointingly, the ending doesn’t bring finality, nor leave the viewer on a cliffhanger. It simply is abrupt, having the impression it were written by a screenwriter not knowing where to take it or how to properly resolve it themselves. Perhaps this is an unfortunate result of writer Anthony Hinds having run out of ideas.

In the end, I simply wish Frankenstein had created a better film.

 
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Posted by on October 3, 2013 in Movies

 

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31 Days of Films and Frights – Day 2: V/H/S

31 Days of Films and Frights – Day 2: V/H/S

On this, the second day of my month long series on films in the horror genre (or a variation thereof), I decided to take a trip down memory lane. I pondered what film ought I sacrifice two hours (more once I’ve written this post) to as I rummaged through the mess of Blu-rays, DVD’s, VCD’s, and Laserdiscs that I’ve accumulated over the years. Many of these films remain in the original cellophane (no comments about that please, that is a blog for another day) and haven’t been touched since I chose to store them in the box. I reached high atop the towering stack within the darkest recesses of the closest within my office. I tilted the box that hadn’t been opened in ages, ghosting myself with the inch or so of dust that had accumulated on top and now slid down like a massive mudslide coming from the sides of Mt. Fuji resting in my hair and on my face. I cracked the box open, and saw something that peaked my interest. I instantly recalled images I had recently come across in the local newspaper. I had seen pictures of a grim grinning ghostly exponent heralding the release of the newest addition to the massive franchise of films featuring the ghastly Sadako, or as U.S. readers may know her, the girl from The Ring. Sadako 3-D2 4-D.


Behold, in front of me, was a DVD of a movie that I hadn’t seen in years, long before the reality of ingesting octopus balls and the carcass of Mr. Ed would become a reality. I wondered if I ought to revisit the film, that being The Ring 0? Then I remembered, the film was featured as a major plot device an object that happened to be a video format I had neglected. A format long ago forgotten, unless you shop at the library, or are an overseas missionary. Not Betamax, no no no. Something far more available in its heyday. Not HD-DVD, neither. VHS. The Ring movies focused on a VHS tape. Thankfully, that was the moment when I recalled a newer movie I had not yet seen. Another film with a sequel in the local cineplex this very season. Rather than skip straight to the overpriced shopping mall to gaze upon the newest entry in all it’s ear piercing glory, I chose to go back to my queue, to visit the original entry.

Because of that not so quick witted decision, I am now able to bring to you:

31 Days of Films and Frights – Day 2: V/H/S

Director:
Adam Wingard
David Bruckner
Ti West
Glenn McQuaid
Joe Swanberg
Radio Silence
Year: 2012
Cast: Adam Wingard, Joe Swanberg, Lane Hughes, Matt Bettinelli-Olpin, Chad Villella, Jason Yachanin, Calvin Reeder, Hannah Fierman
Language: English
Country: United States
Specs: 116 mins. / Color / OAR N/A / MPAA Rating: R
Rating: ★★★★ / B

A group of petty thieves are contracted by an anonymous 3rd party to break into a house and retrieve a mystery VHS tape. Finding the presumed homeowner dead, they begin to rummage through hundreds of found VHS tapes, viewing each on a television next to the corpse, in hopes of locating the tape requested. Startled, they soon realize that each cassette contains a grim video of some poor unsuspecting victims demise.


I am thankful that I had zero knowledge of the film prior to my viewing. It made my “enjoyment” of this terrifying anthology all the more startling with each haunting segment. The film is comprised of 5 short-films, posed as found footage films within the main story-arc (Tape 56) of the petty thieves and their home invasion. Perhaps the strongest of the shorts, Bruckner’s Amateur Night, was also the most terrifying. The aspect that I enjoyed most, with all of the segments, was the “reveal” at the end of each, akin to a gorified episode of Twilight Zone, or Night Gallery (itself a more gruesome take on creator Rod Serling’s seminal classic.)

In recent cinema history, we’ve seen a glut of films of this sub-genre grace the local silver screen. Apartment 143, Paranormal Activity, The Last Broadcast, and of course, The Blair Witch Project. This film, however, stands apart from those others. It is unpredictable at times, which, for this genre, is rarer than a Caucasian in the town I currently reside.

Each film was created entirely autonomous from the others, with its own cast and crew, and it makes for a stronger whole, in my opinion. While not all of the subjects are equal in their caliber, I appreciated the variety of styles of each creative team.


There certainly is a fair share of scares, an equal amount of gruesome imagery, and creative and inventive plots to hold the interest of even the most jaded of horror film fans. While not a masterpiece in and of itself, it is a film that I would happily recommend to anyone that hasn’t just finished off an extra large portion of lasagne from their local Italian eatery.

In conclusion, it’s a film best viewed with the lights on. However, if you choose to not heed my advice, I heartily suggest watching an episode of lighter fare afterwards, such as the latest episode of Dads.

On second thought, that’s worse. Forget what I said. Enjoy the nightmares…

 
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Posted by on October 2, 2013 in Movies

 

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31 Days of Films and Frights – Day 1: Night Stalker

October 1, the first day of my favorite time of year. Crisp leaves crunching under the feet of passerby, the smell of autumn in the air, apple orchards, hayrides, bonfires, and a cornucopia of color, all usher in the beginning of the Holiday season.

As I sat and reflected on these titillating particulars, my thoughts drifted to anamnestic and mnemonic images of hockey masks, leather sacks, bedsheets, and acupuncture needles. I love to watch movies. I love to watch movies about Halloween during the month of October. Not Halloween per se, but movies that are themed around horror, and everything else within that genre. I’m not normally one for gruesome gore porn type of films, but the occasional one slips into my viewing queue.

It is with great fanfare that I begin this new journey for the month of October 2013 of watching one film per day and blogging a brief review, for your reading pleasure.

My hopes in doing so are that you will find a film that you can seek out, if you may dare, and add to your queue. Perhaps you have seen it and want to revisit the hallowed haunting grounds. Even better yet, you either have seen and loved, or loathed, the film and simply want to refresh your memory of the reasons why. It is with these intentions that I have taken on such a task.

Thus, I now give you, without further ado:

31 Days of Films and Frights – Day 1: Night Stalker


Director: John Llewellyn Moxey
Year: 1972
Cast: Darren McGavin, Carol Lynley, Simon Oakland, Claude Akins, Barry Atwater
Language: English
Country: United States
Specs: 74 mins. / Color / OAR 1.33:1 / MPAA Rating: N/A

An investigative reporter, notices a strange set of circumstances involving a number of recent homicides in the city. He begins to suspect that the murder may be a vampire, and sets out to prove his theory before all around him commit him to a mental hospital.

Minutes into my viewing, it became evident that I was about to witness a great, modern-day, detective-noir film. The narration by the main character Kolchak, along with the moody 70’s cinematography, instantly transported me to a world of mystery and suspense with a supernatural bent. Darren McGavin (A Christmas Story) shines as the reporter caught between politics and the desire to uncover and report on the truth, something that was very much on the minds of people at the time this film was made (and still is, no doubt!).

I was engaged throughout the entire film, immersed in the tales of cover-ups, corruptions, and intrigue. The story was very well written, especially given the confines of 70’s television. Proof positive that good storytelling needn’t have the crutches or vices common to a modern Rated R feature film in order to deliver.


Richard Matheson, writer of numerous episodes of the classic Rod Serling anthology TV series, The Twilight Zone, as well as timeless novels such as Hell House, I Am Legend, and The Incredible Shrinking Man, here again displayed his prowess as an auteur of the genre. Taking a novel (at the time unpublished) titled The Kolchak Papers and adapting it as his own, Matheson was able to deliver to producer Dan Curtis (Dark Shadows) a tale that would lure McGavin to commit to this made-for-tv ABC movie.

It became very evident, mere moments into watching this film, why a sequel, titled The Night Strangler, would arrive the following year, as well as a television series titled Kolchak: The Night Stalker for the ’74-’75 season.

My only qualm, and it has nothing to do with the quality of the film itself, is that I wasn’t able to enjoy this in glorious HD. My hope is that someone over at Criterion stumbles across this blog, and grants the wish of one new fan.

 
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Posted by on October 2, 2013 in Movies, TV Shows

 

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31 Days of Howl-oween: Day 30 – Night of the Creeps

Only two days left in October, which means only two more films to review!  I went back and forth on what the final two ought to be.  Of course, the temptation to do “Halloween” and “Halloween II” were there, but I opted to pass on those classics.  “Halloween III: Season of the Witch” also was an option, but again, I decided to avoid the John Carpenter series entirely.

Instead, I chose two films that were films I had never seen before, but heard of.  I did watch a few more films than needed, as I desired to get as many films in as possible.  Of course, “Suspiria”, “[REC]” (an excellent film from Spain, which was remade here as the equally impressive “Quarantine”), “Paranormal Activity” (another excellent film which, as did the previous film, saw a sequel this year), and “Zombieland” were films I could have reviewed, as I watched those as well.  In the end, however, I decided to stick with a theme of sorts.

With that, I give you…

31 Days of Howl-oween

A Review of Films Filled with Frights

Day 30

Film #30


~ Night of the Creeps ~

Read the rest of this entry »

 
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Posted by on October 30, 2010 in Movies

 

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31 Days of Howl-oween: Day 29 – Night of the Demons

As I had watched “Night of the Comet”, I knew that I would have to also watch today’s film.  I’d heard what a cult classic today’s film was, having numerous sequels and a recent remake (starring Shannon Elizabeth and Edward Furlong) to take credit for.  It also starred one of the famous “scream queens”, as Fangoria Magazine has called her, and hadn’t ever seen one of her films for which she acquired the illustrious moniker.

In addition, I wanted to try to include at least a couple films in this 31 Days of 31 Horror Films blog, and there are very limited amounts of films that involve trick-or-treat festivities, other than the famous series of films titled “Halloween”.

I wasn’t sure if I should view the remake, as it’s very recent and likely to be a film movie fans haven’t see yet.  When it came down to the wire, however, I decided the original that started it all was the only way to go.

31 Days of Howl-oween

A Review of Films Filled with Frights

Day 29

Film #29


~ Night of the Demons ~

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Posted by on October 29, 2010 in Movies

 

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