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31 Days of Films and Frights – Day 16: The Mummy

31 Days of Films and Frights – Day 16: The Mummy

I often feel like the Gill- Man from Creature from the Black Lagoon got the shaft. Other than a pair of sequels in 1955 (Revenge of the Creature) and 1956 (The Creature Walks Among Us), the scaly monster from the deep has not been featured in any other films, other than The Monster Squad and Hotel Transylvania, since his initial unveiling.

Perhaps a television show called The Creature Diaries didn’t have quite the same ring as the CW’s sudser about another creature of the night? I’m guessing The Gurgling wouldn’t have appeared as menacing atop a poster hanging in the lobby of the local cineplex as another more lupine film from Joe Dante in 1981 did. Certainly, had Kevin Bacon wanted to team with Paul Verhoeven to give us The Hollow Thing from Deep Down in a Cove Somewhere in The Amazon, the marketing people would have shot it down in favor of their other 2000 film nobody saw (get it?!).

Today’s film, however, features a classic monster that hasn’t suffered the same fate as his green gilled partner in slime.

31 Days of Films and Frights – Day 16: The Mummy


Director: Terence Fisher
Year: 1959
Cast: Peter Cushing, Christopher Lee, Yvonne Furneaux
Language: English
Country: United Kingdom
Specs: 88 mins. / Color / OAR 1.85.1 / MPAA Rating:
Rating: ★★★★★ / A

After being woken from years of hibernation within his tomb, mummified Egyptian high priest Karnak seeks out those responsible for his awakening, when they disturb the tomb of his lover and Princess, Ananka, to avenge their desecration.

The opening music is amazing, deep and resonating as the opening credits unfold. Composer Franz Reizenstein helped create an atmosphere of wonder, accompanied by the wonderful sets and wardrobe expected in a Hammer film.

I always appreciated when the classic monster films were period pieces, allowing for a more immersive tale of fantasy and intrigue. This film does not deter, nor does it disappoint.

There were some directorial decisions that I found jarring, such as the numerous fades to the next scene as someone is speaking, and wondered if I were missing some excised scene, or if my stream had hiccuped. Overall, however, the calibre of the story, acting, and scenery overcame any misgivings I may have had.


The action and the suspense are simply top-notch. Special-effects are also superb, bearing in mind the time in which they were made. Many elements of these Hammer films, in part due to its being set in the past, no doubt, are timeless, and hold up against any modern film in the same genre, often surpassing it in originality.

I recommend this film to any fan of the classic Universal monster films. I suggest this film to any fan of the other entries in Hammers stable of features. Lastly, I urge any fan of the more recent outings from Universal and Stephen Sommers to view this film immediately, lest the curse of Ananka fall on you.

By the way, for those keeping score, the films/tv shows mentioned in the exordium were The Vampire Diaries, The Howling, and The Hollow Man, natch.

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Posted by on October 16, 2013 in Movies

 

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31 Days of Films and Frights – Day 3: Frankenstein Created Woman

31 Days of Films and Frights – Day 3: Frankenstein Created Woman

I fondly remember Saturday afternoons, seated on the floor of my bedroom in front of my 15″ black and white RCA television, the click of the dial filling the air as I prepared to watch the weekly television program, Creature Features. Often, I’d take in a Godzilla film, a masterpiece written by Richard Matheson, a mesmerizing horror anthology featuring Vincent Price, or a bloody spectacle from a studio located across the pond, Hammer Film Productions (or as I erroneously knew it, Hammer Studios).

I love the old Universal Monster films. When I think of Dracula, the hypnotic image of Bela Lugosi, outstretched hand commanding devotion, instantly comes to mind. When I think of The Wolf Man, I’d be stretching the truth if I didn’t say Lon Chaney, Jr. was the only person I imagine in that titular role. The same can be said for Boris Karloff in regards to The Mummy and Frankenstein. When I think of Hammer Films and their catalogue of monster movies, there is none other than Christopher Lee and Peter Cushing.

As I prepared my list of films to watch for this month long series, I knew that I had to include a film or two from the massive back catalogue I had missed as a youth. For my first film, I chose a candidate I knew would likely be absent from many casual horror movie viewers queue (having spent the past decade as a film professor proved this to be true).

31 Days of Frights and Films – Day 3: Frankenstein Created Woman


Director: Terence Fisher
Year: 1967
Cast: Peter Cushing, Susan Denberg, Thorly Walters
Language: English
Country: United Kingdom
Specs: 86mins. / Color / OAR 1.66.1 / MPAA Rating: N/A
Rating: ★★ / D

Dr. Frankenstein, having learned how to capture the soul of a recently deceased person, experiments transferring said soul into the body of another individual suffering from an untimely fate. Unfortunately, the woman whom he revives in said manner turns into a mindless killing machine, recking havoc on all in her path.

This film, while I appreciate the effort of the filmmakers to divert from the formula that made up the previous films in this series, is a film I likely will never visit again.

Sadly, the film lacks any suspense, thrills, creatures, or supernatural elements, all elements even the youngest of horror film neophytes would expect. Instead, the filmmakers rely solely on the premise of a persons brain being surgically implanted into another’s body. Were the acting not dialed in by Cushing, or were there anything resembling acting from the supporting cast, perhaps it could have been more enjoyable. Even Cushing, for reasons unknown to me, sounds dubbed over.


The film also lacks any F/X, which was another baffling instance, beings that this is a feature from a studio famous for it’s abundance of blood, guts, and other macabre imagery. With the exception of a decapitated head making an appearance at the end of the film, the lack of any lurid effects implies it were made on the cheap by an amateur without a budget.

True to a Hammer Films production, it thankfully does feature excellent costuming and sets, but even then they are barren, compared to what we’ve beheld before.


Disappointingly, the ending doesn’t bring finality, nor leave the viewer on a cliffhanger. It simply is abrupt, having the impression it were written by a screenwriter not knowing where to take it or how to properly resolve it themselves. Perhaps this is an unfortunate result of writer Anthony Hinds having run out of ideas.

In the end, I simply wish Frankenstein had created a better film.

 
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Posted by on October 3, 2013 in Movies

 

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