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31 Days of Films and Frights – Day 27: Freddy vs. Jason

31 Days of Films and Frights – Day 27: Freddy vs. Jason

For years, horror fans were clamoring for two of the most iconic stars of slasher films to appear in a film together.

Since Leatherface and Chucky weren’t available, Robocop and The Terminator weren’t an option, and Aliens vs Predator would never work, filmmakers opted for the two whose monikers grace the title of todays entry.

The only problem the filmmakers would have, would be how to tie the two franchises together in a way that would satiate the desires of fans of either blade wielding terror.

31 Days of Films and Frights – Day 27: Freddy vs. Jason

Director: Ronny Yu
Year: 2003
Cast: Ken Kirzinger, Kelly Rowland, Robert Englund, Jason Ritter
Language: English
Country: USA
Specs: 97 mins. / Color / OAR 2.35:1 / MPAA Rating: R
Rating: ★★★/ C

Freddy Krueger, in an attempt to terrorize people whom have stopped believeing in him, seeks the aid of fellow serial killer Jason Voorhees (of Friday the 13th fame) to assist in his never ending assault on the teens of his world.

The opening sequence was well done. Freddy’s monologue, the gutteral sounds he emates as he speaks, and the montage of kills from the previous films in the series all are done in a way to evoke fear and horror once again, bringing a much needed element back into the franchise from the start.

I’m sure the name of the boyfriend (Michael) of the first victim, and the owner of the house on Elm St. (Laurie) was intentional, in a nod to the other classic slasher that fans would have welcomed. Even the inclusion of Jason’s mother, and his reanimation is cleverly done, leading into one of the most interesting opening credit sequences out of both killers solo efforts.

The dialogue, however, is where the film derails, and dives down into mediocrity. The kills that defy science, no matter the strength of Jason and/or Freddy, also play more comical than scary.

Other than Jason Ritter, the acting is pretty bad. In fact, i thought the silicon in EVERY actress had more character than the “hosts”.

All in all, fans of either franchise will enjoy it, if they can get past the fact that the entire film makes no sense if the previous entries in either franchise are cannon.

 
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Posted by on October 28, 2013 in Movies

 

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31 Days of Films and Frights – Day 26: Wes Craven’s New Nightmare

31 Days of Films and Frights – Day 26: Wes Craven’s New Nightmare

One, Two
Buckle My Shoe

I will never be able to sing this nursery rhyme the way it was written thanks to the Nightmare on Elm Street series. In fact, I cannot recall any of the verses beyond Three and Four. However, I can recite verbatim the haunted variation of the rhyme from the mind of Wes Craven.

I only wish that when I once spoke with Craven, I had asked him about the history of his version. Perhaps I will forever count it as one of the regrets in life I will take to the grave…

31 Days of Films and Frights – Day 26: Wes Craven’s New Nightmare

Director: Wes Craven
Year: 1994
Cast: Heather Langenkamp, Wes Craven, Robert Englund
Language: English
Country: USA
Specs: 112 mins. / Color / OAR 1.85:1 / MPAA Rating: R
Rating: ★★★★/ B

Heather Langenkamp, star of the original Nightmare on Elm Street film, finds she has a stalker who resembles Freddy Krueger, the fictional villain in the same set of films. After events in her life turn deadly, she realizes that the stalker is a demon in the persona of her fictional nemesis.

This entry starts out to be a very intelligent and clever take on the Elm Street series. It mostly presents plenty of scary moments, portraying Freddy once again as evil.

However, the last part of the film dips again into the absurd, with Freddy becoming somewhat of a clown. He stretches, grows, uses a super long tongue to strangle, etc.

Special effects are done well, and minor use of CG is blended in nicely. The makeup and glove are redone this time around, and are welcome additions.

Low on gore also, compared to the others in the series, that is. A clever twist from Craven, rejuvenating a tired series, bringing what would have been closure to the series on a high note.

That is, had tomorrow’s entry not been made.

 
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Posted by on October 26, 2013 in Movies

 

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31 Days of Films and Frights – Day 20: Freddy’s Dead – The Final Nightmare

31 Days of Films and Frights – Day 20: Freddy’s Dead – The Final Nightmare

Sometimes you feel like a nut.

Sometimes you don’t.

Almond Joy’s got nuts.

And so does today’s film.

31 Days of Films and Frights – Day 20: Freddy’s Dead – The Final Nightmare

freddys_dead_ver2_xlgDirector: Rachel Talalay
Year: 1991
Cast: Robert Englund, Lisa Zane, Shon Greenblatt
Language: English
Country: USA
Specs: 105 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★ / D

Acting is bad (Rosanne and Tom Arnold??!?!), direction is typical Hollywood over-produced nonsense.  Actions of the characters make little sense.  Sets are so obviously Backlot looking.  Typical characterizations (angry rebellious older teen girl, carefree smoking long haired young boy teen, rebel without a cause could care less teen boy,).  Not a scary moment in the film.  Instead, we are treated to a boy being nearly suffocated by a map that is way too large!  We get “homages?” to Wizard of Oz, with Freddy being the wicked witch.  We get the typical crazy teacher in the ghost town who teaches an empty class, as all the children are missing.

House is abandoned and boarded up, but it has porch light on, and all the lights in the house are conveniently on.  Freddy resembles NOTHING of the character in the other films, and is strictly a cartoony character this time.  Freddy “toys” with victim (“fingers on chalkboard for deaf kid”, “pin drops”, “noise till head explodes”.)

“K. Krueger?  That could be anything from Kevin to Kyle” is the tripe we have to listen to.  “Thanks for lending me an ear”.

 
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Posted by on October 20, 2013 in Movies

 

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31 Days of Films and Frights – Day 19: A Nightmare on Elm Street 5 – The Dream Child

31 Days of Films and Frights – Day 19: A Nightmare on Elm Street 5 – The Dream Child

I love posters that are not photoshopped poses.  Many times, with the painted poster, or the artistic poster that truly was created by a person with talent, a person will talk about the image of the one-sheet many years after they’ve seen the film (or haven’t seen, as it were).

Some iconic posters over the years have been any poster from Saul Bass, Drew Struzan, Boris Vallejo, Richard Amsel, Bill Gold, and Anthony Goldschmidt.  The poster alone from any of these maestro’s would sell tickets to a movie, regardless the pic.

Sometimes it would be as great as the film.  Sometimes….the only good thing about the film.

Today is just one of those instances…

31 Days of Films and Frights – Day 19: A Nightmare on Elm Street 5 – The Dream Child

nightmare_on_elm_street_fiveDirector: Stephen Hopkins
Year: 1989
Cast: Robert Englund, Lisa Wilcox, Kelly Jo Minter
Language: English
Country: USA
Specs: 89 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★ / D

Freddy, in attempt to finally destroy Alice, begins to haunt her through the dreams of her unborn child, whom he hopes of possess, allowing for him to be reborn into the world.

What a mess.  The story makes little sense this time around.  Pointless elements that haven’t any justification, laughable makeup and special effects, zero scares, and the most inane one liners delivered from Freddy hitherto.  I actually think every sentence spoken from Freddy is a very UNFUNNY one liner.

Whereas the first and third film in this franchise had a reason, this iteration has no reason whatsoever why Freddy hunts and kills his victims.  The sound effects are completely amateurish sounding.  The film feels like a rejected “Puppet Master” film retooled to be a Freddy pic instead.

Nightmare 5 FoodyTo close it off, the end credits song is perhaps one of the worst songs ever to appear in a film.  Were they serious???

 
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Posted by on October 20, 2013 in Movies

 

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31 Days of Films and Frights – Day 14: The Conjuring

31 Days of Films and Frights – Day 14: The Conjuring

Haunted houses.  They pepper the landscape as Halloween draws near.  Many festivals and campgrounds feature some form of the attraction, be it a walk-through, a car and rail, or a religious variant intent on scaring a customer into paradise.  When it comes to the celluloid variant, Hollywood is no different.

Sometimes, they combine a genuine tale of a ghostly abode with a possession film.  Thankfully, today’s film fits such a bill.

<span style=”color: red;”>31 Days of Films and Frights – Day 14: The Conjuring</span>

conjuring_ver2_xlgDirector: James Wan
Year: 2013
Cast: Patrick Wilson, Vera Farmiga, Ron Livingston, Lili Taylor
Country: United States
Specs: 112 mins. / Color / OAR 2.35.1 / MPAA Rating: R
Rating: ★★★★ / B+

From the opening moments of this film, I knew I was in for an immersive experience in which I would likely lose much sleep.  The music, excellently crafted, sets the tone for the film the moment the picture fades from black.  I instantly reached for my iPad to begin a second screen experience in order to see the credits of composer Joseph Bishara (Insidious, Insidious: Chapter 2) and cinematographer John R. Leonetti (Insidious, Insidious: Chapter 2, The Mask), whose camera work was beautifully haunting as well.

The editing, something I always notice, was superb.  Each scene is allowed to breath, only cutting when necessary, facilitating the eeriness necessary to amp the nerves of the viewer into the stratosphere.

That’s not to say the film was flawless.  There were certain story elements that I found baffling, such as the hidden room being the room that contains the heater to heat the house (they didn’t notice during their initial purchase that it appeared the house had no heater nor basement?)  However, the film was so excellently crafted that I was tempted to pause and watch an episode of Golden Girls every 20 minutes in order to take the edge off.  The unknown is always more tense than what we can see, hence the reason Hitchcock’s films were so suspenseful/successful.

IMG_6285.dng

Prepare the chamomile laced with Xanax.  Otherwise it’s bound to be a long night…

 
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Posted by on October 14, 2013 in Movies

 

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31 Days of Films and Frights – Day 13: A Nightmare on Elm Street 4 – The Dream Master

31 Days of Films and Frights – Day 13: A Nightmare on Elm Street 4 – The Dream Master

Every once in a while, it’s nice to return to a storied franchise to revisit characters you connected with in prior entries.  You enjoy the charisma that a certain actor or actress brought to a character, and hope that the filmmakers are able to catch lightning in a bottle, once again.

Sometimes, it doesn’t quite work that way.

31 Days of Films and Frights – Day 13: A Nightmare on Elm Street 4 – The Dream Master

nightmare_on_elm_street_four_xlgDirector: Renny Harlin
Year: 1988
Cast: Robert Englund, Rodney Eastman, Lisa Wilcox, Tuesday Knight
Country: United States
Specs: 93 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★★ / C-

Freddy returns to torment the remaining survivors of The Dream Warriors, in hopes to eradicate them from ever having a chance to destroy him, once and for all.

For starters, the return of surviving characters from part 3, yet with the lead being recast from the perfect Patricia Arquette, is a drastic mistake.  Tuesday Knight’s portrayal of Kristen Parker simply lacks any charisma, and fails to explore any added dimensions.

The return of gratuitous and formulaic elements that are all too common in many slasher films are here, as is the absolutely groaning one liners from Freddy.  The fact that the bones of Freddy come back together by way of a dogs urine is reminiscent of the more ludicrous Friday the 13th sequels.

As with other entries in this franchise, they also forgo the continuity of the original and instead invent their own.  In the original, when Freddy kills someone, the effects are seen in their reality.  Not here.  Also, Freddy resorts to comical ways to kill people, instead of the straight finger blades in the original.

The acting is about as ham-fisted as they come.  The plot is rather predictable (the set up of the karate lesson in the beginning of the flick).  There is zero suspense nor frights.  Freddy is a laughable goof.  The dialogues from Freddy are unneeded.  The actions are just plain dumb (as Kristen burns in a bed of flames, everyone just sits and watches, instead of putting out the fire to prevent the house from burning down, let alone save a badly burned girl).

 
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Posted by on October 14, 2013 in Movies

 

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31 Days of Films and Frights – Day 12: A Nightmare on Elm Street 3: Dream Warriors

31 Days of Films and Frights – Day 12: A Nightmare on Elm Street 3: Dream Warriors

Friday the 13th VI: Jason Lives (1986) had He’s Back (Man Behind the Mask) from Alice Cooper, Pet Sematary (1989) had the Ramones song of the same name, Trick or Treat (1986) had an entire soundtrack, and today’s film had Dream Warriors by Dokken.  It was a good few years for fans of both metal and horror.  I hadn’t seen today’s film in many years, and hesitated revisiting a film that I had fond memories of.  As I committed to going through the Nightmare on Elm Street series for the weekend posts of this month long series, I had little choice.

31 Days of Films and Frights – Day 12: A Nightmare on Elm Street 3: Dream Warriors

nightmare_on_elm_street_threeDirector: Chuck Russell
Year: 1987
Cast: Patricia Arquette, Laurence Fishburne, Heather Langenkamp, Robert Englund, Craig Wasson
Country: United States
Specs: 96 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★★★ / B+

A group of youth learn to control their dreams in an effort to defeat serial killer Freddy Krueger once and for all.

A return to form, with plenty of very eery and freaky moments/atmosphere.  I love how we’ve returned to see dreams that we’ve all experienced (running and suddenly the ground is sludge and you cannot run while the bogey man chases you down!).  Very nice sound f/x and music.

Some of the acting is a bit over the top, particularly as they witness the death of the first boy.  Also, Freddy has become a bit more comical in this film, delivering some cheesy 80s one-liners.  Of course, in true horror film fashion, the ways that Freddy kills people gets more inventive and ridiculous from film to film, this film being no exception.

This well written and cleverly directed entry is actual suspenseful, and features some impressive special f/x, making this a smidgen more enjoyable than the original.  I’m guessing the fact that Frank Darabont was one of the screenwriters had much to do with that.

 
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Posted by on October 12, 2013 in Movies

 

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31 Days of Films and Frights – Day 7: The Possession

31 Days of Films and Frights – Day 7: The Possession

I try to reserve judgement until after I’ve seen a film in it’s entirety. I owe that much to the filmmakers who’ve spend a large portion of their year (or more if you are making Cleopatra) attempting to put together something worth my hard earned ducat. However, after watching today’s film, I find that practice more arduous to do.

Ghost_House_Pictures_logo_2

Not having had any prior knowledge of today’s film preceding my viewing, I was surprised to see the logo that opens the film. As soon as I saw Ghost House Pictures insignia, I had reservations. Afterall, I found the last two films I’ve viewed from Sam Raimi’s company (Drag Me to Hell and 30 Days of Night) to be less than stellar. I also didn’t find their foray into television programing (Legend of the Seeker) anything noteworthy, although I did stick it out for the entirety of its two campy seasons. I’m not sure what it is. Perhaps the films are rather futile for horror films, feeling more like a big budget action flick than a atmospheric horror film? Perhaps it’s the over the top sound effects, the clean and sterile lighting, the same cookie cutter characters in each film, or the fast paced jarred editing? Either way, today’s film fell squarely into the fold of their previous efforts.

31 Days of Films and Frights – Day 7: The Possession

possession_ver2_xlg

Director: Ole Bordedal
Year: 2012
Cast: Natasha Calis, Jeffrey Dean Morgan, Kyra Sedgwick
Country: United States
Specs: 92 mins. / Color / OAR 2.35.1 / MPAA Rating: PG-13
Rating: ★★★ / C

A young girl, after finding an antique wooden box containing mysterious symbols carved into it, begins to suffer abnormal behaviors, much to the consternation of her recently divorced parents. It soon becomes apparant she is possessed by an entity not of earthly origins, and the race against the clock to rid their prepubescent daughter of the demonic spirit begins.

From the very first scene, I knew I was in for more of the same. An old woman stands in front of a box, demonic voices coming from within, when suddenly, timed to the frantic editing, she becomes possessed and begins to contort and fling across the room.

We then are introduced to the characters that we soon care nothing about. They take actions that don’t make sense. For instance: Why does the girl get startled by the old woman who is the neighbor? Why does she slowly follow her and peer into the window. Who is the bandaged freak who screams at her? Why is the girl allowed to stop off and pick up the box? Why does she want it? Why does an entire room of supposed God fearing Jews feign fear at the mere sight of the box? Or are they truly afraid? Are they all really faithless? Too many odd questions.

Frustratingly, in addition, there are scene after scene of odd edit decisions. There are numerous instances in which the tiniest semblance of suspense is building, the camera is dollying, the tension is at a high, and it cuts to black mid-beat, mid sound cue, sounding like a piece of the soundtrack is missing, rather than a meticulously timed trim. Not sure what effect they were going for, but I found it jarring and annoying.

I also found vexing plot devices that simply come across as slipshod or indolent, although I know that certainly wasn’t the case. However, I’m not sure how else to react when situations such as “Little Girl is vegan, and is ravenously tearing into a raw steak, therefore she MUST be possessed” are a major plot point. Why else was that silly conversation that opens the film there? Am I instead supposed to see it as a message? Either way, it strikes me as stodgy and amateurish.

possession-steak-movie

Maybe it was the title that doomed this film? A quick search of other films with the same title show that film critics such as Leonard Maltin are rather dismissive of them, as well (1981-★½, 2002-★★, 2010-★½). However, to avoid sounding uncouth, I will admit that it did deliver on some scares. Nonetheless, whereas the frights found in a film like The Exorcist certainly command repeat viewings (if one so dares), this film is too marred by the aforementioned issues to warrant any kind of further thought. It was simply an average film. C rating.

 
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Posted by on October 7, 2013 in Movies

 

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31 Days of Films and Frights – Day 6: A Nightmare on Elm Street 2 – Freddy’s Revenge

31 Days of Films and Frights – Day 6: A Nightmare on Elm Street 2 – Freddy’s Revenge

More Freddy is coming your way, in this second installment of the Nightmare on Elm Street films (originals, of course).  How did he survive the last film?  What will he do to Nancy now that he is back?  How will the people who survived his brutality from the first film react to his return?  Surely, the filmmakers knew that viewers to this sequel would be chomping at the bits to have such answers addressed.

Thankfully, I had time to view all the films in their entirety not too far back, and now, as part of this series on films to be “enjoyed” during this Halloween season, I give to you:

31 Days of Films and Frights – Day 6: A Nightmare on Elm Street 2 – Freddy’s Revenge

nightmare_on_elm_street_twoDirector: Jack Sholder
Year: 1985
Cast: Robert Englund, Mark Patton, Kim Myers
Country: United States
Specs: 87 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★ / D

Returning serial killer Freddy Krueger begins to haunt the dreams of a young man, in an attempt to take control of his body, thus enabling Krueger to reenter the realm of reality, where he can continue his bloody murderous spree.

Not sure what they were thinking? This sequel entirely ignores the “rules” set up for us in the previous pic, and turns more into a confusing, plotless, haunted house flick.

In the original film that started the franchise off, Freddy wore a glove with knives on it. Here, while the glove does appear in scenes, the knives on are now coming directly out of his fingers, more akin to Wolverine, or Marvel comics fame. Also, there is zero instance of Freddy affecting the lives of the children of those who “killed” him through their dreams. Instead, he is able to enter the real world, possess people to the point of their transformation into him, and “haunt” the house of the original films heroine, Nancy.

The above would be forgivable were it cleverly written, or performed by actors with any life in their performances (sans Englund, natch). Sadly, neither of these aforementioned necessities are featured here. There is corny acting, inane decisions by characters, and little sense to be made in this silly entry in the series.

Just to point out a few of the problems, Jessy, after having killed (as Freddy) his best friend, runs to his girlfriend Lisa’s house for help. He stands there covered in blood, and she reacts as though nothing were wrong.

When Jessy transforms into Freddy in front of Lisa, and then disappears in a puff of fire and smoke, she decides to drive to the abandoned factory to find him (of course, there is NOTHING story-wise to explain why she would do this).

Not sure why they chose to go this route, but the only nightmares it gave me were the knowledge that I cannot get those precious 87 minutes back. Argh.

 
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Posted by on October 7, 2013 in Movies

 

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31 Days of Films and Frights – Day 5: A Nightmare on Elm Street

31 Days of Films and Frights – Day 5:  A Nightmare on Elm Street

For these weekend posts during this marathon of horror films, I’ve decided to simply post brief reviews from my files of the Nightmare on Elm Street films. These reviews will likely be shorter than my daily posts, and may even be a bit more unrefined, but they fill the list out on those days when most people, myself included, are doing something other than spending time on the world-wide webs.

After all, this is a great time of year to do more than stay inside watching films. Cider mills, pick up games of touch football, and hay rides at the haunted fairgrounds all are worthy excursions to be had! Enjoy.

31 Days of Films and Frights – Day 5: A Nightmare on Elm Street

nightmare_on_elm_streetDirector: Wes Craven
Year: 1984
Cast: Heather Langenkamp, Johnny Depp, Robert Englund
Country: United States
Specs: 91 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★★★ / B

Nancy and her teenage friends are being tormented by a serial killer in their dreams, who happens to possess the power to make events that happen in their dream state a reality.  She must race against the clock to figure a way to defeat this menacing figure, before he successfully slays each one of them, one by one.

The original that started it all. I wasn’t sure what to expect with this film, not having seen it for a number of years.

The story itself is a very clever one. If you die in your sleep, you really die. The reason being, there is a killer in there! Now, there are many plot holes, silly exposition, goofy special effects (the tongue coming out of the phone), and rather bad acting (the drunkard mother). However, the film still does a good job of avoiding the norms for films of this type. There isn’t any real nudity, there isn’t any real drug use, and there IS a plot. I especially appreciated how Craven acknowledges that evil can be overcome if we have faith.

Of course, that makes the ending all the more confusing. But I’ll save that for another day.

 
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Posted by on October 7, 2013 in Movies

 

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