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31 Days of Films and Frights – Day 27: Freddy vs. Jason

31 Days of Films and Frights – Day 27: Freddy vs. Jason

For years, horror fans were clamoring for two of the most iconic stars of slasher films to appear in a film together.

Since Leatherface and Chucky weren’t available, Robocop and The Terminator weren’t an option, and Aliens vs Predator would never work, filmmakers opted for the two whose monikers grace the title of todays entry.

The only problem the filmmakers would have, would be how to tie the two franchises together in a way that would satiate the desires of fans of either blade wielding terror.

31 Days of Films and Frights – Day 27: Freddy vs. Jason

Director: Ronny Yu
Year: 2003
Cast: Ken Kirzinger, Kelly Rowland, Robert Englund, Jason Ritter
Language: English
Country: USA
Specs: 97 mins. / Color / OAR 2.35:1 / MPAA Rating: R
Rating: ★★★/ C

Freddy Krueger, in an attempt to terrorize people whom have stopped believeing in him, seeks the aid of fellow serial killer Jason Voorhees (of Friday the 13th fame) to assist in his never ending assault on the teens of his world.

The opening sequence was well done. Freddy’s monologue, the gutteral sounds he emates as he speaks, and the montage of kills from the previous films in the series all are done in a way to evoke fear and horror once again, bringing a much needed element back into the franchise from the start.

I’m sure the name of the boyfriend (Michael) of the first victim, and the owner of the house on Elm St. (Laurie) was intentional, in a nod to the other classic slasher that fans would have welcomed. Even the inclusion of Jason’s mother, and his reanimation is cleverly done, leading into one of the most interesting opening credit sequences out of both killers solo efforts.

The dialogue, however, is where the film derails, and dives down into mediocrity. The kills that defy science, no matter the strength of Jason and/or Freddy, also play more comical than scary.

Other than Jason Ritter, the acting is pretty bad. In fact, i thought the silicon in EVERY actress had more character than the “hosts”.

All in all, fans of either franchise will enjoy it, if they can get past the fact that the entire film makes no sense if the previous entries in either franchise are cannon.

 
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Posted by on October 28, 2013 in Movies

 

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31 Days of Films and Frights – Day 26: Wes Craven’s New Nightmare

31 Days of Films and Frights – Day 26: Wes Craven’s New Nightmare

One, Two
Buckle My Shoe

I will never be able to sing this nursery rhyme the way it was written thanks to the Nightmare on Elm Street series. In fact, I cannot recall any of the verses beyond Three and Four. However, I can recite verbatim the haunted variation of the rhyme from the mind of Wes Craven.

I only wish that when I once spoke with Craven, I had asked him about the history of his version. Perhaps I will forever count it as one of the regrets in life I will take to the grave…

31 Days of Films and Frights – Day 26: Wes Craven’s New Nightmare

Director: Wes Craven
Year: 1994
Cast: Heather Langenkamp, Wes Craven, Robert Englund
Language: English
Country: USA
Specs: 112 mins. / Color / OAR 1.85:1 / MPAA Rating: R
Rating: ★★★★/ B

Heather Langenkamp, star of the original Nightmare on Elm Street film, finds she has a stalker who resembles Freddy Krueger, the fictional villain in the same set of films. After events in her life turn deadly, she realizes that the stalker is a demon in the persona of her fictional nemesis.

This entry starts out to be a very intelligent and clever take on the Elm Street series. It mostly presents plenty of scary moments, portraying Freddy once again as evil.

However, the last part of the film dips again into the absurd, with Freddy becoming somewhat of a clown. He stretches, grows, uses a super long tongue to strangle, etc.

Special effects are done well, and minor use of CG is blended in nicely. The makeup and glove are redone this time around, and are welcome additions.

Low on gore also, compared to the others in the series, that is. A clever twist from Craven, rejuvenating a tired series, bringing what would have been closure to the series on a high note.

That is, had tomorrow’s entry not been made.

 
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Posted by on October 26, 2013 in Movies

 

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31 Days of Films and Frights – Day 20: Freddy’s Dead – The Final Nightmare

31 Days of Films and Frights – Day 20: Freddy’s Dead – The Final Nightmare

Sometimes you feel like a nut.

Sometimes you don’t.

Almond Joy’s got nuts.

And so does today’s film.

31 Days of Films and Frights – Day 20: Freddy’s Dead – The Final Nightmare

freddys_dead_ver2_xlgDirector: Rachel Talalay
Year: 1991
Cast: Robert Englund, Lisa Zane, Shon Greenblatt
Language: English
Country: USA
Specs: 105 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★ / D

Acting is bad (Rosanne and Tom Arnold??!?!), direction is typical Hollywood over-produced nonsense.  Actions of the characters make little sense.  Sets are so obviously Backlot looking.  Typical characterizations (angry rebellious older teen girl, carefree smoking long haired young boy teen, rebel without a cause could care less teen boy,).  Not a scary moment in the film.  Instead, we are treated to a boy being nearly suffocated by a map that is way too large!  We get “homages?” to Wizard of Oz, with Freddy being the wicked witch.  We get the typical crazy teacher in the ghost town who teaches an empty class, as all the children are missing.

House is abandoned and boarded up, but it has porch light on, and all the lights in the house are conveniently on.  Freddy resembles NOTHING of the character in the other films, and is strictly a cartoony character this time.  Freddy “toys” with victim (“fingers on chalkboard for deaf kid”, “pin drops”, “noise till head explodes”.)

“K. Krueger?  That could be anything from Kevin to Kyle” is the tripe we have to listen to.  “Thanks for lending me an ear”.

 
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Posted by on October 20, 2013 in Movies

 

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31 Days of Films and Frights – Day 19: A Nightmare on Elm Street 5 – The Dream Child

31 Days of Films and Frights – Day 19: A Nightmare on Elm Street 5 – The Dream Child

I love posters that are not photoshopped poses.  Many times, with the painted poster, or the artistic poster that truly was created by a person with talent, a person will talk about the image of the one-sheet many years after they’ve seen the film (or haven’t seen, as it were).

Some iconic posters over the years have been any poster from Saul Bass, Drew Struzan, Boris Vallejo, Richard Amsel, Bill Gold, and Anthony Goldschmidt.  The poster alone from any of these maestro’s would sell tickets to a movie, regardless the pic.

Sometimes it would be as great as the film.  Sometimes….the only good thing about the film.

Today is just one of those instances…

31 Days of Films and Frights – Day 19: A Nightmare on Elm Street 5 – The Dream Child

nightmare_on_elm_street_fiveDirector: Stephen Hopkins
Year: 1989
Cast: Robert Englund, Lisa Wilcox, Kelly Jo Minter
Language: English
Country: USA
Specs: 89 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★ / D

Freddy, in attempt to finally destroy Alice, begins to haunt her through the dreams of her unborn child, whom he hopes of possess, allowing for him to be reborn into the world.

What a mess.  The story makes little sense this time around.  Pointless elements that haven’t any justification, laughable makeup and special effects, zero scares, and the most inane one liners delivered from Freddy hitherto.  I actually think every sentence spoken from Freddy is a very UNFUNNY one liner.

Whereas the first and third film in this franchise had a reason, this iteration has no reason whatsoever why Freddy hunts and kills his victims.  The sound effects are completely amateurish sounding.  The film feels like a rejected “Puppet Master” film retooled to be a Freddy pic instead.

Nightmare 5 FoodyTo close it off, the end credits song is perhaps one of the worst songs ever to appear in a film.  Were they serious???

 
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Posted by on October 20, 2013 in Movies

 

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31 Days of Films and Frights – Day 13: A Nightmare on Elm Street 4 – The Dream Master

31 Days of Films and Frights – Day 13: A Nightmare on Elm Street 4 – The Dream Master

Every once in a while, it’s nice to return to a storied franchise to revisit characters you connected with in prior entries.  You enjoy the charisma that a certain actor or actress brought to a character, and hope that the filmmakers are able to catch lightning in a bottle, once again.

Sometimes, it doesn’t quite work that way.

31 Days of Films and Frights – Day 13: A Nightmare on Elm Street 4 – The Dream Master

nightmare_on_elm_street_four_xlgDirector: Renny Harlin
Year: 1988
Cast: Robert Englund, Rodney Eastman, Lisa Wilcox, Tuesday Knight
Country: United States
Specs: 93 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★★ / C-

Freddy returns to torment the remaining survivors of The Dream Warriors, in hopes to eradicate them from ever having a chance to destroy him, once and for all.

For starters, the return of surviving characters from part 3, yet with the lead being recast from the perfect Patricia Arquette, is a drastic mistake.  Tuesday Knight’s portrayal of Kristen Parker simply lacks any charisma, and fails to explore any added dimensions.

The return of gratuitous and formulaic elements that are all too common in many slasher films are here, as is the absolutely groaning one liners from Freddy.  The fact that the bones of Freddy come back together by way of a dogs urine is reminiscent of the more ludicrous Friday the 13th sequels.

As with other entries in this franchise, they also forgo the continuity of the original and instead invent their own.  In the original, when Freddy kills someone, the effects are seen in their reality.  Not here.  Also, Freddy resorts to comical ways to kill people, instead of the straight finger blades in the original.

The acting is about as ham-fisted as they come.  The plot is rather predictable (the set up of the karate lesson in the beginning of the flick).  There is zero suspense nor frights.  Freddy is a laughable goof.  The dialogues from Freddy are unneeded.  The actions are just plain dumb (as Kristen burns in a bed of flames, everyone just sits and watches, instead of putting out the fire to prevent the house from burning down, let alone save a badly burned girl).

 
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Posted by on October 14, 2013 in Movies

 

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31 Days of Films and Frights – Day 12: A Nightmare on Elm Street 3: Dream Warriors

31 Days of Films and Frights – Day 12: A Nightmare on Elm Street 3: Dream Warriors

Friday the 13th VI: Jason Lives (1986) had He’s Back (Man Behind the Mask) from Alice Cooper, Pet Sematary (1989) had the Ramones song of the same name, Trick or Treat (1986) had an entire soundtrack, and today’s film had Dream Warriors by Dokken.  It was a good few years for fans of both metal and horror.  I hadn’t seen today’s film in many years, and hesitated revisiting a film that I had fond memories of.  As I committed to going through the Nightmare on Elm Street series for the weekend posts of this month long series, I had little choice.

31 Days of Films and Frights – Day 12: A Nightmare on Elm Street 3: Dream Warriors

nightmare_on_elm_street_threeDirector: Chuck Russell
Year: 1987
Cast: Patricia Arquette, Laurence Fishburne, Heather Langenkamp, Robert Englund, Craig Wasson
Country: United States
Specs: 96 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★★★ / B+

A group of youth learn to control their dreams in an effort to defeat serial killer Freddy Krueger once and for all.

A return to form, with plenty of very eery and freaky moments/atmosphere.  I love how we’ve returned to see dreams that we’ve all experienced (running and suddenly the ground is sludge and you cannot run while the bogey man chases you down!).  Very nice sound f/x and music.

Some of the acting is a bit over the top, particularly as they witness the death of the first boy.  Also, Freddy has become a bit more comical in this film, delivering some cheesy 80s one-liners.  Of course, in true horror film fashion, the ways that Freddy kills people gets more inventive and ridiculous from film to film, this film being no exception.

This well written and cleverly directed entry is actual suspenseful, and features some impressive special f/x, making this a smidgen more enjoyable than the original.  I’m guessing the fact that Frank Darabont was one of the screenwriters had much to do with that.

 
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Posted by on October 12, 2013 in Movies

 

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31 Days of Films and Frights – Day 8: Byzantium

31 Days of Films and Frights – Day 8: Byzantium

Vampires. They have been the subject of numerous films throughout the decades. They have appeared, according to ranker.com, in over 197 films. To begin to entertain the idea of producing a new edition that will resonate with audiences surely must be a daunting task. To be able to offer something new that isn’t formulaic nor a simple rehash takes talent beyond measure.

I’ve stated before, (and based on the number of films, television programs, novels, and video games that continuously get released, it’s apparent I’m not alone), that I enjoy these celluloid exhibitions featuring the notorious creatures of the night. I recently heard about today’s film whilst reading an issue of Empire magazine. They stated that the film was a four star affair. I instantly knew that I had to view this film. I originally had a sequel to a rather storied franchise queued up and ready to go, bucket of freshly made stove-top popcorn at the ready, wife and children tucked away snuggly in their beds. Instead, I did a switcheroo and opted instead for this nocturnal tale.

31 Days of Frights and Films – Day 8: Byzantium


Director: Neil Jordan
Year: 2112
Cast: Saoirse Ronan, Gemma Arterton, Sam Riley
Language: English
Country: United Kingdom
Specs: 118 mins. / Color / OAR 2.35.1 / MPAA Rating: R
Rating: ★★★★★ / A

A pair of mysterious women descend upon a small unsuspecting town, hiding from a mysterious organization that is attempting to locate them. Unfortunately for the inhabitants of the town, they bring death with them, leaving a trail of bodies in their wake.

Not since Ludwig Von Drake recorded The Spectrum Song has there been an occasion where I was instantly immersed in a world of vivid color. The use of hues by cinematographer Sean Bobbitt was amazing, and made me all the more grateful I chose to view this on a 52″ HDTV as opposed to an iPad on my train ride into work. I was instantly taken in by the mesmerizing score that opens the film. Whereas other films I’ve written about feature over-the-top musical scores that overpower the senses, Jordan opts for a more subtle, yet beautifully melancholic soundtrack, only elevated by the haunting cinematography that unfolds from the start. The film continues to play slowly, thanks to the superb editing from Tony Lawson (Michael Collins, End of the Affair, Straw Dogs), allowing each scene to breath, even during the few gruesome images that are peppered throughout. During an upsetting decapitation, instead of cutting to the beats of the latest techno mix, we are allowed to take in the atmosphere of the locale, which only serves to up the emotional impact.


I thoroughly appreciated Jordan’s ability to effectively utilize imagery in a way that most viewers will remember elements and/or scenes to the film that never actually appeared. A film about a stripper who is also a prostitute, the men she has slept with, numerous occasions of unlawful entry, and we never are witness to any of the acts nor images of humans in their “au natural” state. Pure genius. Proof positive that the imagination is much more powerful of a tool than any canvas can ever paint.

Saoirse Ronan shines in her role as the tortured soul to Gemma Arterton’s femme fatale. Her eyes are stunningly mesmerizing, and hold the viewer every single time she looks into the lens, harking back to the famous Steve McCurry photograph that graced a National Geographic cover. The rest of the cast, who are equally as impressive in their own right, also bring life to their characters in a way that never hints at mediocrity. Jordan truly displays his gift of finding such a stellar cast.


If you enjoy atmospheric films that are light on the action and heavy on the illustrative character studies, I strongly recommend this film. I’m positive you will be thrilled.

 
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Posted by on October 8, 2013 in Movies

 

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31 Days of Films and Frights – Day 5: A Nightmare on Elm Street

31 Days of Films and Frights – Day 5:  A Nightmare on Elm Street

For these weekend posts during this marathon of horror films, I’ve decided to simply post brief reviews from my files of the Nightmare on Elm Street films. These reviews will likely be shorter than my daily posts, and may even be a bit more unrefined, but they fill the list out on those days when most people, myself included, are doing something other than spending time on the world-wide webs.

After all, this is a great time of year to do more than stay inside watching films. Cider mills, pick up games of touch football, and hay rides at the haunted fairgrounds all are worthy excursions to be had! Enjoy.

31 Days of Films and Frights – Day 5: A Nightmare on Elm Street

nightmare_on_elm_streetDirector: Wes Craven
Year: 1984
Cast: Heather Langenkamp, Johnny Depp, Robert Englund
Country: United States
Specs: 91 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★★★ / B

Nancy and her teenage friends are being tormented by a serial killer in their dreams, who happens to possess the power to make events that happen in their dream state a reality.  She must race against the clock to figure a way to defeat this menacing figure, before he successfully slays each one of them, one by one.

The original that started it all. I wasn’t sure what to expect with this film, not having seen it for a number of years.

The story itself is a very clever one. If you die in your sleep, you really die. The reason being, there is a killer in there! Now, there are many plot holes, silly exposition, goofy special effects (the tongue coming out of the phone), and rather bad acting (the drunkard mother). However, the film still does a good job of avoiding the norms for films of this type. There isn’t any real nudity, there isn’t any real drug use, and there IS a plot. I especially appreciated how Craven acknowledges that evil can be overcome if we have faith.

Of course, that makes the ending all the more confusing. But I’ll save that for another day.

 
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Posted by on October 7, 2013 in Movies

 

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31 Days of Films and Frights – Day 2: V/H/S

31 Days of Films and Frights – Day 2: V/H/S

On this, the second day of my month long series on films in the horror genre (or a variation thereof), I decided to take a trip down memory lane. I pondered what film ought I sacrifice two hours (more once I’ve written this post) to as I rummaged through the mess of Blu-rays, DVD’s, VCD’s, and Laserdiscs that I’ve accumulated over the years. Many of these films remain in the original cellophane (no comments about that please, that is a blog for another day) and haven’t been touched since I chose to store them in the box. I reached high atop the towering stack within the darkest recesses of the closest within my office. I tilted the box that hadn’t been opened in ages, ghosting myself with the inch or so of dust that had accumulated on top and now slid down like a massive mudslide coming from the sides of Mt. Fuji resting in my hair and on my face. I cracked the box open, and saw something that peaked my interest. I instantly recalled images I had recently come across in the local newspaper. I had seen pictures of a grim grinning ghostly exponent heralding the release of the newest addition to the massive franchise of films featuring the ghastly Sadako, or as U.S. readers may know her, the girl from The Ring. Sadako 3-D2 4-D.


Behold, in front of me, was a DVD of a movie that I hadn’t seen in years, long before the reality of ingesting octopus balls and the carcass of Mr. Ed would become a reality. I wondered if I ought to revisit the film, that being The Ring 0? Then I remembered, the film was featured as a major plot device an object that happened to be a video format I had neglected. A format long ago forgotten, unless you shop at the library, or are an overseas missionary. Not Betamax, no no no. Something far more available in its heyday. Not HD-DVD, neither. VHS. The Ring movies focused on a VHS tape. Thankfully, that was the moment when I recalled a newer movie I had not yet seen. Another film with a sequel in the local cineplex this very season. Rather than skip straight to the overpriced shopping mall to gaze upon the newest entry in all it’s ear piercing glory, I chose to go back to my queue, to visit the original entry.

Because of that not so quick witted decision, I am now able to bring to you:

31 Days of Films and Frights – Day 2: V/H/S

Director:
Adam Wingard
David Bruckner
Ti West
Glenn McQuaid
Joe Swanberg
Radio Silence
Year: 2012
Cast: Adam Wingard, Joe Swanberg, Lane Hughes, Matt Bettinelli-Olpin, Chad Villella, Jason Yachanin, Calvin Reeder, Hannah Fierman
Language: English
Country: United States
Specs: 116 mins. / Color / OAR N/A / MPAA Rating: R
Rating: ★★★★ / B

A group of petty thieves are contracted by an anonymous 3rd party to break into a house and retrieve a mystery VHS tape. Finding the presumed homeowner dead, they begin to rummage through hundreds of found VHS tapes, viewing each on a television next to the corpse, in hopes of locating the tape requested. Startled, they soon realize that each cassette contains a grim video of some poor unsuspecting victims demise.


I am thankful that I had zero knowledge of the film prior to my viewing. It made my “enjoyment” of this terrifying anthology all the more startling with each haunting segment. The film is comprised of 5 short-films, posed as found footage films within the main story-arc (Tape 56) of the petty thieves and their home invasion. Perhaps the strongest of the shorts, Bruckner’s Amateur Night, was also the most terrifying. The aspect that I enjoyed most, with all of the segments, was the “reveal” at the end of each, akin to a gorified episode of Twilight Zone, or Night Gallery (itself a more gruesome take on creator Rod Serling’s seminal classic.)

In recent cinema history, we’ve seen a glut of films of this sub-genre grace the local silver screen. Apartment 143, Paranormal Activity, The Last Broadcast, and of course, The Blair Witch Project. This film, however, stands apart from those others. It is unpredictable at times, which, for this genre, is rarer than a Caucasian in the town I currently reside.

Each film was created entirely autonomous from the others, with its own cast and crew, and it makes for a stronger whole, in my opinion. While not all of the subjects are equal in their caliber, I appreciated the variety of styles of each creative team.


There certainly is a fair share of scares, an equal amount of gruesome imagery, and creative and inventive plots to hold the interest of even the most jaded of horror film fans. While not a masterpiece in and of itself, it is a film that I would happily recommend to anyone that hasn’t just finished off an extra large portion of lasagne from their local Italian eatery.

In conclusion, it’s a film best viewed with the lights on. However, if you choose to not heed my advice, I heartily suggest watching an episode of lighter fare afterwards, such as the latest episode of Dads.

On second thought, that’s worse. Forget what I said. Enjoy the nightmares…

 
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Posted by on October 2, 2013 in Movies

 

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5 Films About Thanksgiving: Day 3 – What's Cooking

I’m thankful for one thing today, and that is backups. See the earlier post today for more on that! Now onto the regularly scheduled programing…

A Week of Thanks

5 Films about Thanksgiving

Day 3

Film #3

~ What’s Cooking ~


Director: Gurinder Chadha
Year: 2000
Cast: Mercedes Ruehl, Alfre Woodard, Kyra Sedgwick, Julianna Margulies, Dennis Haysbert, Estelle Harris, Victor Rivers, Douglas Spain, Francois Chau, Will Yun Lee, Isidra Vega, A Martinez
Language: English
Country: United States
Specs: 109 mins. / Color / OAR 1.85:1 / MPAA Rating: PG-13

Four ethnic households in Los Angeles gather together in their respective homes to celebrate Thanksgiving, each with their own ethnic recipes. Each learns some important aspects of family, friends, and giving thanks.

The first thing I noticed about this balancing act is that director Chadha pulls it off with aplomb. Being able to effectively tell four different parallel stories that all intersect at various points in the film, while holding the interest of the viewer is no easy task, yet Chadha proves that she is more than capable.

The second thing I noticed about this entertaining comedy is the wonderful editing by Janice Hampton (also editor of “Rocky II”). It’s amazing how effective a skilled cutter can be to a films overall enjoyment, and proves that this woman’s touch was just what Chadha needed to bring to this fun comedy peppered with dry humor in the most appealing of ways.

That isn’t to say the film is perfect, or without fault. It does contain elements that prevent this film about families from being a family film (hence the PG-13 rating), but I imagine it has enough to heart to appeal to many adults, to whom the film is targeted.

The most exciting aspect of this pseudo chick flick was the appearance of two of my favorite presidents: President David Palmer, my favorite hero president, and President Charles Logan, my favorite villainous president (both from the Fox TV Show “24”, of course!).

All in all, a nice little treat as we head into the big day. Tomorrow, I’ll focus on the granddaddy Thanksgiving film of them all!

My Rating: **** / B-

Available from Amazon: What’s Cooking?

or

//

Amazon Video on Demand: What’s Cooking?

Stay tuned…

 
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Posted by on November 25, 2010 in Movies

 

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