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31 Days of Films and Frights – Day 27: Freddy vs. Jason

31 Days of Films and Frights – Day 27: Freddy vs. Jason

For years, horror fans were clamoring for two of the most iconic stars of slasher films to appear in a film together.

Since Leatherface and Chucky weren’t available, Robocop and The Terminator weren’t an option, and Aliens vs Predator would never work, filmmakers opted for the two whose monikers grace the title of todays entry.

The only problem the filmmakers would have, would be how to tie the two franchises together in a way that would satiate the desires of fans of either blade wielding terror.

31 Days of Films and Frights – Day 27: Freddy vs. Jason

Director: Ronny Yu
Year: 2003
Cast: Ken Kirzinger, Kelly Rowland, Robert Englund, Jason Ritter
Language: English
Country: USA
Specs: 97 mins. / Color / OAR 2.35:1 / MPAA Rating: R
Rating: ★★★/ C

Freddy Krueger, in an attempt to terrorize people whom have stopped believeing in him, seeks the aid of fellow serial killer Jason Voorhees (of Friday the 13th fame) to assist in his never ending assault on the teens of his world.

The opening sequence was well done. Freddy’s monologue, the gutteral sounds he emates as he speaks, and the montage of kills from the previous films in the series all are done in a way to evoke fear and horror once again, bringing a much needed element back into the franchise from the start.

I’m sure the name of the boyfriend (Michael) of the first victim, and the owner of the house on Elm St. (Laurie) was intentional, in a nod to the other classic slasher that fans would have welcomed. Even the inclusion of Jason’s mother, and his reanimation is cleverly done, leading into one of the most interesting opening credit sequences out of both killers solo efforts.

The dialogue, however, is where the film derails, and dives down into mediocrity. The kills that defy science, no matter the strength of Jason and/or Freddy, also play more comical than scary.

Other than Jason Ritter, the acting is pretty bad. In fact, i thought the silicon in EVERY actress had more character than the “hosts”.

All in all, fans of either franchise will enjoy it, if they can get past the fact that the entire film makes no sense if the previous entries in either franchise are cannon.

 
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Posted by on October 28, 2013 in Movies

 

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31 Days of Films and Frights – Day 26: Wes Craven’s New Nightmare

31 Days of Films and Frights – Day 26: Wes Craven’s New Nightmare

One, Two
Buckle My Shoe

I will never be able to sing this nursery rhyme the way it was written thanks to the Nightmare on Elm Street series. In fact, I cannot recall any of the verses beyond Three and Four. However, I can recite verbatim the haunted variation of the rhyme from the mind of Wes Craven.

I only wish that when I once spoke with Craven, I had asked him about the history of his version. Perhaps I will forever count it as one of the regrets in life I will take to the grave…

31 Days of Films and Frights – Day 26: Wes Craven’s New Nightmare

Director: Wes Craven
Year: 1994
Cast: Heather Langenkamp, Wes Craven, Robert Englund
Language: English
Country: USA
Specs: 112 mins. / Color / OAR 1.85:1 / MPAA Rating: R
Rating: ★★★★/ B

Heather Langenkamp, star of the original Nightmare on Elm Street film, finds she has a stalker who resembles Freddy Krueger, the fictional villain in the same set of films. After events in her life turn deadly, she realizes that the stalker is a demon in the persona of her fictional nemesis.

This entry starts out to be a very intelligent and clever take on the Elm Street series. It mostly presents plenty of scary moments, portraying Freddy once again as evil.

However, the last part of the film dips again into the absurd, with Freddy becoming somewhat of a clown. He stretches, grows, uses a super long tongue to strangle, etc.

Special effects are done well, and minor use of CG is blended in nicely. The makeup and glove are redone this time around, and are welcome additions.

Low on gore also, compared to the others in the series, that is. A clever twist from Craven, rejuvenating a tired series, bringing what would have been closure to the series on a high note.

That is, had tomorrow’s entry not been made.

 
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Posted by on October 26, 2013 in Movies

 

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31 Days of Films and Frights – Day 20: Freddy’s Dead – The Final Nightmare

31 Days of Films and Frights – Day 20: Freddy’s Dead – The Final Nightmare

Sometimes you feel like a nut.

Sometimes you don’t.

Almond Joy’s got nuts.

And so does today’s film.

31 Days of Films and Frights – Day 20: Freddy’s Dead – The Final Nightmare

freddys_dead_ver2_xlgDirector: Rachel Talalay
Year: 1991
Cast: Robert Englund, Lisa Zane, Shon Greenblatt
Language: English
Country: USA
Specs: 105 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★ / D

Acting is bad (Rosanne and Tom Arnold??!?!), direction is typical Hollywood over-produced nonsense.  Actions of the characters make little sense.  Sets are so obviously Backlot looking.  Typical characterizations (angry rebellious older teen girl, carefree smoking long haired young boy teen, rebel without a cause could care less teen boy,).  Not a scary moment in the film.  Instead, we are treated to a boy being nearly suffocated by a map that is way too large!  We get “homages?” to Wizard of Oz, with Freddy being the wicked witch.  We get the typical crazy teacher in the ghost town who teaches an empty class, as all the children are missing.

House is abandoned and boarded up, but it has porch light on, and all the lights in the house are conveniently on.  Freddy resembles NOTHING of the character in the other films, and is strictly a cartoony character this time.  Freddy “toys” with victim (“fingers on chalkboard for deaf kid”, “pin drops”, “noise till head explodes”.)

“K. Krueger?  That could be anything from Kevin to Kyle” is the tripe we have to listen to.  “Thanks for lending me an ear”.

 
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Posted by on October 20, 2013 in Movies

 

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31 Days of Films and Frights – Day 19: A Nightmare on Elm Street 5 – The Dream Child

31 Days of Films and Frights – Day 19: A Nightmare on Elm Street 5 – The Dream Child

I love posters that are not photoshopped poses.  Many times, with the painted poster, or the artistic poster that truly was created by a person with talent, a person will talk about the image of the one-sheet many years after they’ve seen the film (or haven’t seen, as it were).

Some iconic posters over the years have been any poster from Saul Bass, Drew Struzan, Boris Vallejo, Richard Amsel, Bill Gold, and Anthony Goldschmidt.  The poster alone from any of these maestro’s would sell tickets to a movie, regardless the pic.

Sometimes it would be as great as the film.  Sometimes….the only good thing about the film.

Today is just one of those instances…

31 Days of Films and Frights – Day 19: A Nightmare on Elm Street 5 – The Dream Child

nightmare_on_elm_street_fiveDirector: Stephen Hopkins
Year: 1989
Cast: Robert Englund, Lisa Wilcox, Kelly Jo Minter
Language: English
Country: USA
Specs: 89 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★ / D

Freddy, in attempt to finally destroy Alice, begins to haunt her through the dreams of her unborn child, whom he hopes of possess, allowing for him to be reborn into the world.

What a mess.  The story makes little sense this time around.  Pointless elements that haven’t any justification, laughable makeup and special effects, zero scares, and the most inane one liners delivered from Freddy hitherto.  I actually think every sentence spoken from Freddy is a very UNFUNNY one liner.

Whereas the first and third film in this franchise had a reason, this iteration has no reason whatsoever why Freddy hunts and kills his victims.  The sound effects are completely amateurish sounding.  The film feels like a rejected “Puppet Master” film retooled to be a Freddy pic instead.

Nightmare 5 FoodyTo close it off, the end credits song is perhaps one of the worst songs ever to appear in a film.  Were they serious???

 
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Posted by on October 20, 2013 in Movies

 

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31 Days of Films and Frights – Day 18: Silent Night, Deadly Night

31 Days of Films and Frights – Day 18: Silent Night, Deadly Night

It was a swealtering summer night in the suburbs of my hometown.  My brother and I were spending another night with my cousin, looking forward to the traditional night of watching a double feature in the living room of his tiny downstair apartment.  We loved to stay the night, as my aunt seemed to have no qualms about the type of films we would be allowed to view.  Compared to my mothers restrictions on something as seemingly innocent as Strawberry Shortcake or The Care Bears, a film that featured any worldly vice or plot was like a trip to Fantasy Island.

This night, my cousin was ecstatic.  He had stated that he was a fan of both films on the bill, and was sure we would equally enjoy them.  We turned down all of the lights, grabbed our individual servings of Jiffy Pop, and sat down to watch the first of our VHS tapes that night.

Sleepaway Camp was the first feature.  The second feature was the film I chose tonight for this series on frightful films during the month of October.  I chose the film not because I remembered it as a classic, but because amazingly, I remembered nothing about either film prior to tonights viewing.  I simply remembered the title of the films, and have wanted to revisit them both since my days as a youth.

As I write this, I wish I could unremember once again.

31 Days of Films and Frights – Day 18: Silent Night, Deadly Night

Silent Night Deadly NightDirector: Charles E. Sellier Jr.
Year: 1984
Cast: Lilyan Chauvin, Gilmer McCormick, Toni Nero, Robert Brian Wilson
Language: English
Country: USA
Specs: 85 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★ / F

Years after witnessing the brutal murder of his parents, a young man goes on a murderous rampage, dressed as Santa, choosing those he deems as “Naughty” as his victims.

What the 7734 were they thinking?  My word, what a travesty.  There is nothing about this film that I found enjoyable, frightening, intriguing, or any other emotion other than belwilderment.  While I could remember nothing about the film (I must have blocked it from my memory upon my initial viewing), I was aware that it spawned 4 sequels.  How that happened is beyond me.

The film is a worthless slasher pic that was as painful to watch as Chinese Food by Alison Gold.  I would have enjoyed it more had I miraculously experienced a Stay Tuned moment and found myself one of the victims of Billy’s axe to the stomach.  The dialogue, acting, plot, deaths, costuming, sets, all are about as shallow as my toddlers swimming pool.

I understand that parents boycotted the film upon its initial release due to its subject matter of a killer Santa.  I would rather have picketed the bank that funded this mess for wasting peoples money on such dreck.

Killer SantaIf you are as wanton as the un jovial man in red, by all means, rush out and rent this stinker.  If you are of the same character as the family in the Saturday Night Live skit The Gross-Out Family, then ask for the collector’s DVD box set of this film for your Christmas gift.  Otherwise, save yourself the misery and rent Misery instead.  At least you’ll enjoy the maniac with an ax (or a hammer in the theatrical version) much more.

 
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Posted by on October 18, 2013 in Movies

 

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31 Days of Films and Frights – Day 13: A Nightmare on Elm Street 4 – The Dream Master

31 Days of Films and Frights – Day 13: A Nightmare on Elm Street 4 – The Dream Master

Every once in a while, it’s nice to return to a storied franchise to revisit characters you connected with in prior entries.  You enjoy the charisma that a certain actor or actress brought to a character, and hope that the filmmakers are able to catch lightning in a bottle, once again.

Sometimes, it doesn’t quite work that way.

31 Days of Films and Frights – Day 13: A Nightmare on Elm Street 4 – The Dream Master

nightmare_on_elm_street_four_xlgDirector: Renny Harlin
Year: 1988
Cast: Robert Englund, Rodney Eastman, Lisa Wilcox, Tuesday Knight
Country: United States
Specs: 93 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★★ / C-

Freddy returns to torment the remaining survivors of The Dream Warriors, in hopes to eradicate them from ever having a chance to destroy him, once and for all.

For starters, the return of surviving characters from part 3, yet with the lead being recast from the perfect Patricia Arquette, is a drastic mistake.  Tuesday Knight’s portrayal of Kristen Parker simply lacks any charisma, and fails to explore any added dimensions.

The return of gratuitous and formulaic elements that are all too common in many slasher films are here, as is the absolutely groaning one liners from Freddy.  The fact that the bones of Freddy come back together by way of a dogs urine is reminiscent of the more ludicrous Friday the 13th sequels.

As with other entries in this franchise, they also forgo the continuity of the original and instead invent their own.  In the original, when Freddy kills someone, the effects are seen in their reality.  Not here.  Also, Freddy resorts to comical ways to kill people, instead of the straight finger blades in the original.

The acting is about as ham-fisted as they come.  The plot is rather predictable (the set up of the karate lesson in the beginning of the flick).  There is zero suspense nor frights.  Freddy is a laughable goof.  The dialogues from Freddy are unneeded.  The actions are just plain dumb (as Kristen burns in a bed of flames, everyone just sits and watches, instead of putting out the fire to prevent the house from burning down, let alone save a badly burned girl).

 
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Posted by on October 14, 2013 in Movies

 

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31 Days of Films and Frights – Day 12: A Nightmare on Elm Street 3: Dream Warriors

31 Days of Films and Frights – Day 12: A Nightmare on Elm Street 3: Dream Warriors

Friday the 13th VI: Jason Lives (1986) had He’s Back (Man Behind the Mask) from Alice Cooper, Pet Sematary (1989) had the Ramones song of the same name, Trick or Treat (1986) had an entire soundtrack, and today’s film had Dream Warriors by Dokken.  It was a good few years for fans of both metal and horror.  I hadn’t seen today’s film in many years, and hesitated revisiting a film that I had fond memories of.  As I committed to going through the Nightmare on Elm Street series for the weekend posts of this month long series, I had little choice.

31 Days of Films and Frights – Day 12: A Nightmare on Elm Street 3: Dream Warriors

nightmare_on_elm_street_threeDirector: Chuck Russell
Year: 1987
Cast: Patricia Arquette, Laurence Fishburne, Heather Langenkamp, Robert Englund, Craig Wasson
Country: United States
Specs: 96 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★★★ / B+

A group of youth learn to control their dreams in an effort to defeat serial killer Freddy Krueger once and for all.

A return to form, with plenty of very eery and freaky moments/atmosphere.  I love how we’ve returned to see dreams that we’ve all experienced (running and suddenly the ground is sludge and you cannot run while the bogey man chases you down!).  Very nice sound f/x and music.

Some of the acting is a bit over the top, particularly as they witness the death of the first boy.  Also, Freddy has become a bit more comical in this film, delivering some cheesy 80s one-liners.  Of course, in true horror film fashion, the ways that Freddy kills people gets more inventive and ridiculous from film to film, this film being no exception.

This well written and cleverly directed entry is actual suspenseful, and features some impressive special f/x, making this a smidgen more enjoyable than the original.  I’m guessing the fact that Frank Darabont was one of the screenwriters had much to do with that.

 
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Posted by on October 12, 2013 in Movies

 

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31 Days of Films and Frights – Day 10: The House at the End of the Street

31 Days of Films and Frights – Day 10: The House at the End of the Street

Every once in a while, I come across a film that stands so far above the competition, it belongs in a class of its own. The script is so eloquently woven it commands accolades and awards. The story takes the genre into new territory, creating an entire generation of copycat films due to its success. The acting is of a caliber scarcely spoken of outside of awards season, elevating the actors into a class observed by few in the world. The direction is stupendous, earning the auteur “a film by…” credit on each subsequent film. Scores of film lovers around the world clamor for a deluxe collector’s edition Blu-ray or DVD to adorn their massive shelving unit in their darkened home theater.

Today’s masterpiece….is none of those.

31 Days of Films and Frights – Day 10: The House at the End of the Street


Director: Mark Tonderai
Year: 2112
Cast: Jennifer Lawrence, Max Thieriot, Elisabeth Shue, Gil Bellows
Language: English
Country: United States
Specs: 101 mins. / Color / OAR 2.35.1 / MPAA Rating: PG-13
Rating: ★★ / D

A young girl and her estranged mother decide to move to a new home in the country to begin a path of healing for their broken relationship.  Learning that a horrible murder happened in the house across the way only complicates things, especially when all is not what it seems.

Within moments of the opening scene, I checked the menu of my television set to confirm that I hadn’t accidentally switched the input to MTV, or another music video channel. Once I realized that I indeed was watching Netflix, thanks in part to my realization that a music video hasn’t been played on MTV since I was a tyke, I knew I was in for an experience.

The opening scene begins with a crazed teen wandering the halls of her suburban home, hammer in hand, in order to slay her suspecting parents. Not UNSUSPECTING, but fully aware their daughter is a little this side of sane. Yet they both [SPOILER ALERT] allow themselves to defenselessly get pummeled to death by the half their size nutjob.

Lest I lead you to believe the script was the only problem, their death is confirmed when we see a low angle shot from below the bed they rest in of the feathers from their pillows and/or comforter shower the floor, followed by a steady amount of blood. John Woo this is not.

We also are priveledged to see such mesmerizing camera work, such as dolly, crane, shaky cam, dolly, shaky cam, crane, canted angle, birds eye POV, [good lord please stop, I’m getting sea sick], dolly, crane, dolly, crane…ugh. I felt like I’d mistakenly inserted into my video player one of my students horrible productions. How was it, I wondered, that the director was allowed to constantly use every movable camera trick in the book. I was nauseous.


Of course, it would all have been slightly excused had the dialogue fared any better.

For instance, in a early scene that takes place at a “parents aren’t home” party, a girl passes out [alcohol induced, no doubt]. The odd choice of direction aside [that being everything moving in slow motion then speedily ramped up into fast motion (called ramping) and tricky artistic edits and spinning bottles and (again I asked if this was a music video) flashing lights] Lawrence’s characters reaction and dialogue is comical.

In another scene, we are succumbed to such prose as:
“What happened to the body.” “They never found it.” “They think she’s still alive and living in the woods.” “WHAT!?!?!?!” as a reaction of utter horror and fear is on the characters face. Based on the complete lack of knowledge of anything at that point in the film for the character, its simply played for the audience and their prior knowledge. What tripe.

I honestly feel like I’ve already wasted enough time with watching the film and spending time to write this blog. I will wrap it up (something I wish the film had done 90 minutes sooner than it did) by stating how sad I was to see the caliber of talent on screen fail miserably in this film. It only must be a testament to the direction they were receiving. I don’t know how else to explain the cardboard performances and pain inducing dialogue.

Just to clarify, I nominate this film as definitely a must pass, even for fans of Lawrence and Shue.

 
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Posted by on October 10, 2013 in Movies

 

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31 Days of Films and Frights – Day 6: A Nightmare on Elm Street 2 – Freddy’s Revenge

31 Days of Films and Frights – Day 6: A Nightmare on Elm Street 2 – Freddy’s Revenge

More Freddy is coming your way, in this second installment of the Nightmare on Elm Street films (originals, of course).  How did he survive the last film?  What will he do to Nancy now that he is back?  How will the people who survived his brutality from the first film react to his return?  Surely, the filmmakers knew that viewers to this sequel would be chomping at the bits to have such answers addressed.

Thankfully, I had time to view all the films in their entirety not too far back, and now, as part of this series on films to be “enjoyed” during this Halloween season, I give to you:

31 Days of Films and Frights – Day 6: A Nightmare on Elm Street 2 – Freddy’s Revenge

nightmare_on_elm_street_twoDirector: Jack Sholder
Year: 1985
Cast: Robert Englund, Mark Patton, Kim Myers
Country: United States
Specs: 87 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★ / D

Returning serial killer Freddy Krueger begins to haunt the dreams of a young man, in an attempt to take control of his body, thus enabling Krueger to reenter the realm of reality, where he can continue his bloody murderous spree.

Not sure what they were thinking? This sequel entirely ignores the “rules” set up for us in the previous pic, and turns more into a confusing, plotless, haunted house flick.

In the original film that started the franchise off, Freddy wore a glove with knives on it. Here, while the glove does appear in scenes, the knives on are now coming directly out of his fingers, more akin to Wolverine, or Marvel comics fame. Also, there is zero instance of Freddy affecting the lives of the children of those who “killed” him through their dreams. Instead, he is able to enter the real world, possess people to the point of their transformation into him, and “haunt” the house of the original films heroine, Nancy.

The above would be forgivable were it cleverly written, or performed by actors with any life in their performances (sans Englund, natch). Sadly, neither of these aforementioned necessities are featured here. There is corny acting, inane decisions by characters, and little sense to be made in this silly entry in the series.

Just to point out a few of the problems, Jessy, after having killed (as Freddy) his best friend, runs to his girlfriend Lisa’s house for help. He stands there covered in blood, and she reacts as though nothing were wrong.

When Jessy transforms into Freddy in front of Lisa, and then disappears in a puff of fire and smoke, she decides to drive to the abandoned factory to find him (of course, there is NOTHING story-wise to explain why she would do this).

Not sure why they chose to go this route, but the only nightmares it gave me were the knowledge that I cannot get those precious 87 minutes back. Argh.

 
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Posted by on October 7, 2013 in Movies

 

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31 Days of Films and Frights – Day 5: A Nightmare on Elm Street

31 Days of Films and Frights – Day 5:  A Nightmare on Elm Street

For these weekend posts during this marathon of horror films, I’ve decided to simply post brief reviews from my files of the Nightmare on Elm Street films. These reviews will likely be shorter than my daily posts, and may even be a bit more unrefined, but they fill the list out on those days when most people, myself included, are doing something other than spending time on the world-wide webs.

After all, this is a great time of year to do more than stay inside watching films. Cider mills, pick up games of touch football, and hay rides at the haunted fairgrounds all are worthy excursions to be had! Enjoy.

31 Days of Films and Frights – Day 5: A Nightmare on Elm Street

nightmare_on_elm_streetDirector: Wes Craven
Year: 1984
Cast: Heather Langenkamp, Johnny Depp, Robert Englund
Country: United States
Specs: 91 mins. / Color / OAR 1.85.1 / MPAA Rating: R
Rating: ★★★★ / B

Nancy and her teenage friends are being tormented by a serial killer in their dreams, who happens to possess the power to make events that happen in their dream state a reality.  She must race against the clock to figure a way to defeat this menacing figure, before he successfully slays each one of them, one by one.

The original that started it all. I wasn’t sure what to expect with this film, not having seen it for a number of years.

The story itself is a very clever one. If you die in your sleep, you really die. The reason being, there is a killer in there! Now, there are many plot holes, silly exposition, goofy special effects (the tongue coming out of the phone), and rather bad acting (the drunkard mother). However, the film still does a good job of avoiding the norms for films of this type. There isn’t any real nudity, there isn’t any real drug use, and there IS a plot. I especially appreciated how Craven acknowledges that evil can be overcome if we have faith.

Of course, that makes the ending all the more confusing. But I’ll save that for another day.

 
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Posted by on October 7, 2013 in Movies

 

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