I spent a large part of my youth growing up in a coastal town famous for its boat marinas. As such, we had a boat docked in one of those marinas. My father used to take us out regularly far into the massive body of water to go swimming, fishing, or just plain relaxing. Other times he’d take us just around the bend from the marina, to a cove famous for its swimming holes. Sadly, much to the consternation of my stay-at-home mother, he would also often times leave the boat parked in the dock, and let us simply swim off the back of the boat. Looking back now as an adult, I see how foolish that may have been. Many other large cabin cruisers pulling in and out of the marina, filthy greasy film floating on the surface, the rainbow of colors reflecting in the hot summer sun. Even at that age I had moments of hesitation when my siblings were so blindly diving into the sludge from the rear of the cabin cruiser.
He also would let us fish, often gutting, cooking, and eating the fish within hours of our catch. To the dismay of my mother, his brother figured little better. He would take my cousin and I swimming in what was perhaps the most polluted river in the country, if not the state. There are many times I remember getting some bacterial fungal disease, which certainly came from the river, only to be told I likely was having an allergic reaction to some food I had not eaten.
Had I seen today’s film prior to my childhood, I am positive I would have lived an entirely different life.
31 Days of Films and Frights – Day 9: The Bay
Director: Barry Levinson
Cast: Will Rogers, Kristen Connolly, Kether Donohue
Country: United States
Specs: 84 mins. / Color / OAR N/A / MPAA Rating: R
Rating: ★★★★ / B
After a pair of divers mysteriously die in an apparent shark attack, a seemingly unconnected bacterial outbreak occurs in a small coastal town, causing disaster and panic in its wake.
I had briefly noticed today’s film when it was prominently displayed on my Apple TVs What’s New screen last year. When I had read the information about the film, I found it interesting that Barry Levinson (Rain Man, Wag the Dog, Good Morning Vietnam) had helmed this entry into the horror genre. He primarily has chosen films that are dramatic and/or political in tone. The reviews I read gave the film good marks, however, as is the case with more films than I care to admit, it slipped off my radar until preparing for this series of films for the month of October.
To cut to the chase, let me state that this is a film that I recommend all to see. Fans of other films that focus on an epidemic of mass proportions, such as Outbreak, Contagion, and 28 Days Later, will assuredly find this film to be enjoyable. For others, after watching the film, if you do not react in a way that causes you to take note, you perhaps have been swimming in the same waters as I did in my childhood a day too long. It’s a horror film, that is so eerily believable, that I couldn’t take my eyes off the screen. A found footage film yet again, and another that truly fits the medium.
I particularly found impressive Levinson’s use of multiple cameras to tell the story. Whereas most found footage pics focus on 1 camera that contains a tape of the incident that serves as the film, The Bay instead is composed of security cameras, ATM cameras, civilian cameras, traffic cameras, news crew cameras, and whatever other kind of video source that was “found” in the city that is affected. It is a clever twist on the found footage pic, and a welcome one at that.
There was ample amounts of gore, but it’s nothing you haven’t seen on an episode of ER, and not the kind you’ve seen in Saw. Be ready, if you have the stomach for it, to hit Google after you’ve watched this film, to see how much of the plot has been based in reality, and how much of it is Hollywood fiction. According to Levinson, during a screening on the films initial release, he stated that 85% of what is seen in the film is partially based on fact. Now that is SCARY!
The weakest element in the entire film is the character Donna, or rather Kether Donohue. She annoyingly licks her lips to moisturize them throughout the entire film. I couldn’t stop wishing someone would have simply thrown her a tube of lip balm, and gotten on with the show. It seemed more a nervous twitch of an amateur actress than it did a character trait she had developed (forgive me if I’m wrong). Also, there’s nothing here regarding cinematography, set pieces, music, or sound-effects for that matter. This is simply a character driven fear fest.
No ghosts, vampires, or extraterrestrial beings in this one. This is simply a matter of what you don’t see, in our real world, might kill you.